top of page
FREE!
Master Calendar 2022-2023

For concert and event planning.  This calendar is updated throughout the season.

No need to scroll all the way through this page to find out what is happening right now.  Consult the online Early Music Around Town (EMAT)  calendar for a shortlist of upcoming concerts and events.

 

Please note that SCEMS does not present or sponsor concerts.

The listings below include early music related concerts and events offered by organizations throughout the Southern California area.  Readers are advised to call ahead to verify events, times, and ticket availability, which are subject to change.

September 2022

Saturday, September 10 3pm & 5pm

The Da Camera Society presents: Delirium Musicum: program TBD (Baroque-inspired music)

Experience a vibrant, immersive performance by LA-based 16-piece orchestra Delirium Musicum. Led by Etienne Gara, a new generation of classical musicians bring a fresh approach to the old masters and enthusiasm for the new. At the heart, a singular desire to build a special bond with the audience—to move to tears, to bring joy, to inspire through music!

Pompeian Room, Doheny Mansion,Doheny Campus , Mount Saint Mary’s University, 10 Chester Pl, Los Angeles, CA 90007

Additional Information: https://dacamerasociety.org/concerts-upcoming/deliriummusicum/?mc_cid=8539b06474&mc_eid=8b200a9f73

www.deliriummusicum.com, (619) 537-9832

 

Fri, Sep 16, 2022 8:00 PM (repeats Sat, Sep 17, 2022 7:30 PM in Long Beach)

Musica Angeleica Baroque Orchestra: music by Bach, Locatelli, Handel

Brandenburg Concerto No. 1,  BWV 1046a - J. S. Bach

Violin Concerto D-Major, Op. 3 No. 12, "The Harmonic Labyrinth“ - Pietro Antonio Locatelli, featuring Yu Eun Kim, Artist-in-Residence

Selections from Water Music - George Frideric Handel

Martin Haselböck, Director, Cynthia Roberts, Concertmaster

Saint Paul the Apostle. 10750 Ohio Avenue Los Angeles, California 90024

Please note - At the venue, church pews will not have seat numbers. It is open seating within your purchased section.

more info: musicaangelica.org

 

Sat, Sep 17, 2022 7:30 PM (repeats Fri, Sep 16, 2022 8:00 PM  in West Los Angeles)

Musica Angeleica Baroque Orchestra: music by Bach, Locatelli, Handel

Brandenburg Concerto No. 1,  BWV 1046a - J. S. Bach

Violin Concerto D-Major, Op. 3 No. 12, "The Harmonic Labyrinth“ - Pietro Antonio Locatelli, featuring Yu Eun Kim, Artist-in-Residence

Selections from Water Music - George Frideric Handel

Martin Haselböck, Director, Cynthia Roberts, Concertmaster

Beverly O'Neill Theater 300 East Ocean Boulevard Long Beach, California 90802

more info: musicaangelica.org

 

Saturday, September 17 , 7:30pm

PRISM Choral Ensemble: The Pange Lingua Concert

An evening of early a capella choral music featuring Josquin des Prez's luminous Missa Pange lingua, as well as works by John Dunstable, Christian Erbacher, William Cornysh, and Eric Whitacre. PRISM is a conductorless, professional ensemble of nine singers .

Tickets $15 with $10 discounted rate for seniors and students. St. Basil Catholic Church 3611 Wilshire Blvd. Los Angeles, CA 90005.

For more information and to buy tickets, please visit www.prismensemble.org/events.

To contact please email heyitsprism@prismensemble.org.

 

Sunday Sept 18,  2:30 pm. (repeats  Sunday Oct 2, 2:30 pm in Mar Vista)

Los Angeles Recorder Orchestra: Roaring Twenties

Jean Mouton was a famous French composer known for his motets (the most refined of the time) and for being the teacher of Adrian Willaert, one of the founders of the Venetial school. Mouton (1459-1522) became the head musician for Francois I of France.  We believe that, in that position, he had overall responsibility for music at the meeting of Francois I and Henry VIII in 1520.  Truly the “Roaring Twenties” for the 16th century.  This event, The Field of the Cloth of Gold”, was an attempt to bring the two monarchs in closer alliance.  Mouton’s music was noted for elaborate counterpoint as well as smooth flowing cantus firmus phrases.

Our 20th century “Roaring Twenties” are represented by the arrangements of the Charleston and Humpty Dumpty.

St. Andrew's Episcopal Church, Fullerton.    1231 E Chapman Ave, Fullerton, CA 92831

more info: larohome.org

October 2022

Sunday Oct 2, 2:30 pm, (Sunday Sept 18,  2:30 pm in Fullerton)

Los Angeles Recorder Orchestra: Roaring Twenties

Jean Mouton was a famous French composer known for his motets (the most refined of the time) and for being the teacher of Adrian Willaert, one of the founders of the Venetial school. Mouton (1459-1522) became the head musician for Francois I of France.  We believe that, in that position, he had overall responsibility for music at the meeting of Francois I and Henry VIII in 1520.  Truly the “Roaring Twenties” for the 16th century.  This event, The Field of the Cloth of Gold”, was an attempt to bring the two monarchs in closer alliance.  Mouton’s music was noted for elaborate counterpoint as well as smooth flowing cantus firmus phrases.

Our 20th century “Roaring Twenties” are represented by the arrangements of the Charleston and Humpty Dumpty.

St. Bede's Episcopal Church,  Mar Vista. 3590 Grand View Blvd, Los Angeles, CA 90066 www.stbedesla.org

more info: larohome.org

 

Sunday, October 2, 2022, 4:00 pm - 6:00 pm

The Da Camera Society & Tesserae Baroque: Early Music as Arts & Crafts: Exploring the Dolmetsch Heritage

Join Tesserae Baroque and The Da Camera Society for a concert celebrating the link between the Early Music movement and the Arts and Crafts architectural movement.

The program takes its name from Arnold Dolmetsch, a performer and instrument maker admired by protagonists of the Arts and Crafts movement. A champion of ‘authentic’ performances of early music, Dolmetsch was one of the first people in Britain to build copies of historic instruments. The early music he pioneered will be featured on the program

Held at the historic Gamble House in Pasadena, the event will feature simultaneous musical performances throughout the venue. Audiences will be invited to move from room to room over the course of the afternoon, thus experiencing the synergy between music and architecture.

Living Room: Malachai Komanoff Bandy, viol; Eva Lymestull, viol, Leif Woodward, viol

Gardens: Stephen Stubbs, lute & baroque guitar, Alexandra Opsahl, recorders

Attic: Ian Pritchard, clavichord

Tickets: $35 Tickets available at https://dacamerasociety.org/concerts/ on Thursday, September 8th.

The Gamble House requires masks at all times.

The Gamble House, Pasadena. 4 Westmoreland Place Pasadena, CA 91103

more info:    https://dacamerasociety.org/concerts/           https://gamblehouse.org/

Friday, October 7, 2022 8:00 PM (PT)

The USC Thornton Baroque Sinfonia: "Concerto delle donne – Music by and for Women in Early Baroque Italy"

Directed by Rotem Gilbert and Jason Yoshida; Featuring compositions by Barbara Strozzi, Francesca Caccini, Chiara Margarita Cozzolani and Isabella Leonarda.

Admission Free and Open to the Public

Alfred Newman Recital Hall 3616 Trousdale Prkwy, Los Angeles, CA 90089

http://web-app.usc.edu/maps/?id=2

(masks are strongly recommended indoors)

For more information, contact Adam Knight Gilbert at akgilber@usc.edu or  (213) 821-6052

 

October 8 at 2 pm (repeats October 9 at 7 pm)

Los Angeles Master Chorale: HAYDN'S CREATION

Let there be light! Our season begins with Haydn’s grand celebration of the dawn of life on Earth.

https://tickets.lamasterchorale.org/haydns-creation

Walt Disney Concert Hall

 

October 9 at 7 pm (repeats October 8 at 2 pm)

Los Angeles Master Chorale: HAYDN'S CREATION

Let there be light! Our season begins with Haydn’s grand celebration of the dawn of life on Earth.

https://tickets.lamasterchorale.org/haydns-creation

Walt Disney Concert Hall

 

SATURDAY, OCTOBER 15 4:00 p.m.

CON GIOIA Early Music Ensemble: Bach and More Bach

Exquisite Arias from J. S. Bach’s cantatas BWV, 29, BWV 32, BWV 79, BWV 108, BWV 166 and the complete cantata, Mein Herze schwimmt im Blut, BWV 199.

The program features the highly acclaimed soprano Sherezad Panthaki; John Buffet, baritone; and Jon Lee Keenan, tenor; with Lot Demeyer, oboe; Kati Kyme and Lindsey Strand-Polyak, violins; Ellie Nishi, viola; William Skeen,‘cello; Denise Brisé, violone; and artistic director Preethi de Silva, harpsichord. 

Tickets may be obtained online after September 4 at suggested donation amounts via Eventbrite: https://con-gioia-bach-and-more-bach.eventbrite.com

No tickets available at the door.

Proof of vaccination against COVID-19 or a negative result of a diagnostic test result taken within 32 hours prior to the event will be required for entry. All audience members must wear a mask and observe social distancing when indoors at the venue.

Neighborhood Unitarian Universalist Church, 301, Orange Grove Blvd., Pasadena. CA 91103.

Further details after September 5 at www.congioia.org (909) 624-0638.

Sunday Oct 17 3PM

Tesserae Baroque Annual Fundraiser: Bach Reconstructed

Program:

J.S. Bach:Organ Sonata No.5 in C Major, BWV 529

Johann Adam Reincken:Sonata Prima in A Minor, Hortus Musicus

J.S. Bach:Harpsichord Concerto No. 6 in F Major, BWV 1057

Ensemble

Andrew McIntosh, baroque violin & viola, Susan Feldman, baroque violin, Janet Strauss, baroque violin, Alex Opsahl, recorder, Stephan Haas, recorder, Leif Woodward,  viola da gamba, Eva Lymentstull, baroque 'cello, Ian Pritchard, harpsichord & organ

Performance to be followed by an outdoor reception catered by Gingergrass.

All tickets are $150, and must be purchased in advance.

Attendees must wear a mask while indoors, and show proof of vaccine on arrival.

This event is a fun way to support our season activities. Your donation ensures that we continue to offer free tickets to children, and heavily discounted tickets to anybody who needs them. We love this music, and we will always strive to make it available to all.

Contrapuntal Recital Hall, Brentwood

more info: tesseraebaroque.org

 

Friday, October 21, 2022, 7:00 p.m. (repeats  Saturday, October 22, 2022, 7:00 p.m.)

Bach Collegium San Diego: BLOW BY BLOW! music by Blow and Purcell

John Blow: Masque: Venus & Adonis , Ode: Ye Sons of Phoebus , Henry Purcell: Instrumental Music from King Arthur

Exploring the music and relationship of John Blow to Henry Purcell, two of England’s most influential composers of the seventeenth century.

SOLOISTS: Sherezade Panthaki, Soprano, Kristen Dubenion-Smith, Mezzo-Soprano, Jay Carter, Countertenor, John Buffett, Baritone

Saints Constantine & Helen Greek Orthodox Church 8459 Manchester Ave, Cardiff, CA 92007

more info: https://bachcollegiumsd.org/

 

Saturday, October 22, 2022, 7:00 p.m. (repeats Friday, October 21, 2022, 7:00 p.m.)

Bach Collegium San Diego: BLOW BY BLOW! music by Blow and Purcell

John Blow: Masque: Venus & Adonis , Ode: Ye Sons of Phoebus , Henry Purcell: Instrumental Music from King Arthur

Exploring the music and relationship of John Blow to Henry Purcell, two of England’s most influential composers of the seventeenth century.

SOLOISTS: Sherezade Panthaki, Soprano, Kristen Dubenion-Smith, Mezzo-Soprano, Jay Carter, Countertenor, John Buffett, Baritone

All Souls' Episcopal Church 1475 Catalina Blvd, San Diego, CA 92107

more info: https://bachcollegiumsd.org/

Saturday Oct 22 8:00 PM  (repeats October 23, 4 p.m. in Pasadena)

Jouyssance Early Music Ensemble: "Hooked" on Early Music

The Jouyssance choir opens its 2022-23 season with "Hooked on Early Classics," presenting selections that made our singers fall in love with Early Music. You don't want to miss this show! We'll present some old favorites and throw in some fun surprises for you.

tickets: https://jouyssance.us4.list-manage.com/track/click?u=16d8f6de191025a0a5077e2ce&id=af7c30b9d6&e=6bb4a45960
Church of the Angels 1100 Avenue 64, Pasadena

more info: https://www.facebook.com/jouyssance

St. Bede's Episcopal Church , 3590 Grand View Blvd , Mar Vista, CA, CA, US-90066

Sunday, October 23, 4 p.m. (repeats  10/22/2022 in Mar Vista)

Jouyssance Early Music Ensemble: "Hooked" on Early Music

The Jouyssance choir opens its 2022-23 season with "Hooked on Early Classics," presenting selections that made our singers fall in love with Early Music. You don't want to miss this show! We'll present some old favorites and throw in some fun surprises for you.

tickets: https://jouyssance.us4.list-manage.com/track/click?u=16d8f6de191025a0a5077e2ce&id=af7c30b9d6&e=6bb4a45960
Church of the Angels 1100 Avenue 64, Pasadena

more info: https://www.facebook.com/jouyssance

Sunday, Oct. 23 3 p.m.

Ciaramella: “Lovers and Labyrinths: Renaissance Songs, Dances, and Improvisations for Love, Death, and Rebirth”

Early music ensemble Ciaramella makes their Pomona College premiere in a program that features period instruments. The ensemble is comprised of new faculty member Malachai Bandy and performance faculty member Jason Yoshida, among others; Performers: Adam and Rotem Gilbert, Malachai Komanoff Bandy*, Adam Bregman, Aki Nishiguchi, Mary Vanhoozer, and Jason Yoshida*. Performed on period instruments

Safety protocols will be followed at all concerts. Go to pomona.edu/music-concert-safety-information for details.

All Pomona College Music events are FREE and open to the public – thanks to the generous donations of friends and alumni.

Ciaramella brings to life Medieval and early Renaissance music from historical events and manuscripts. Praised for performing intricate fifteenth-century counterpoint “with the ease of jazz musicians improvising on a theme,” its members are united by the conviction that every composition conceals a rich story waiting to be unlocked. The ensemble’s most recent album Dances on Movable Ground has earned five stars in the British magazine Early Music Today and was picked as Editor’s Choice. Read more: https://www.ciaramellaensemble.com/about

Visit our online calendar, pomona.edu/music-calendar to learn more about these and student or senior recitals

Bridges Hall of Music 150 E 4th St, Claremont, CA 91711

more info: https://www.pomona.edu/events?trumbaEmbed=view%3Devent%26eventid%3D162016367&eventid=162016367

Sunday, October 30, 2022 3 p.m.

William Peterson, organ : Anniversary Concert in Celebration the Hill Memorial Organ’s Inaugural Concert: Music of J.S. Bach

Emeritus faculty member William Peterson returns to the organ console for this 20th anniversary celebration of the Hill Memorial Organ’s Inaugural Concert. Peterson has played concerts throughout the United States. His programs have included “French Organ Music from the Time of World War I,” “The Music of Johann Sebastian Bach” and a concert that featured a first half with music by sixteenth and seventeenth century Dutch and German composers and a second half with music by Erben, Krenek, and Kohn.

The Hill Memorial organ, built in Bridges Hall of Music on the Pomona College campus in 2001 by C.B. Fisk as Opus 117, is a distinctly eclectic organ with three-manuals, 66 ranks and over 3500 pipes. Read more about Opus 117.

PROGRAM: Music of J.S. Bach:

From the Orgelbüchlein

Herr Christ, der ein’ge Gottes-Sohn, BWV 601

Liebster Jesu, wir sind hier, BWV 634

Es ist das Heil uns kommen her, BWV 638

Wenn wir in höchsten Nöten sein, BWV 641

Gelobet seist du, Jesu Christ, BWV 604

Fugue in C Major (BWV 545)

From Dritter Theil der Clavierübung (1739)

      Kyrie, Gott Vater in Ewigkeit, BWV 672

      Christe, aller Welt Trost, BWV 673

      Kyrie, Gott heiliger Geist, BWV 674

Dies sind die heil’gen zehn Gebot, BWV 678

Wir glauben all an einen Gott, BWV 680

Duetto III, BWV 804

Fuga a 5 con pedale pro Organo pleno, BWV 552/2

Free Admission, no tickets | doors open 30 minutes prior to the concert

Bridges Hall of Music, 150 E. 4th St., Claremont, CA 91711

https://www.pomona.edu/events?trumbaEmbed=view%3Devent%26eventid%3D162016583

November 2022

Tuesday Nov 1 7:00 pm

Musica Transalpina Baroque Ensemble: Music for Songs of conquest – All Saints’ Day Mass in colonial Peru

Ceremonial music written by Peruvian composers or by composers represented in the colonial archives of the 16th-18th centuries.

            Join Muisca Transalpina as we explore the vibrant musical legacy of South American baroque music preserved in cathedral and mission archives. Unfortunately for us, the liturgical works mentioned in the inventories of the Peruvian archives survive in fragments due to frequent (and enthusiastic) use, but the music of the chapel masters of the Cuzco and Lima cathedrals are preserved alongside arrangements of masses by world-renowned European composers in unlikely places: namely, in the archives of the Moxos and Chiquitos missions in Upper Peru, present-day Bolivia.

            We shall explore music written in Peru as well as music written by composers represented in the enormous but lamentably incomplete musical archives of the cathedrals of Cuzco, Lima, and La Plata, including Lassus and surprisingly Michael Haydn, and we conclude our programme with the royal anthem "Elegit eum Dominus" that the Portuguese composer Gaspar Fernandes – who is remarkably famous both for directing the splendid music programme at the cathedral in Antigua Guatemala and for being the teacher of Juan Gutiérrez de Padilla – wrote for the 1612 arrival of the Spanish viceroy Don Diego Fernández de Córdoba, who would variously govern Mexico and Peru.

            The artwork features a detail of Dominican musicians from the "Virgen de Montserrat" painted by Francisco Chihuantito in the parish church of Chincheros In Cuzco, Peru. This demonstrates the highly clerical nature of church music In viceregal Peru, where church establishments were not able to avail themselves of professional lay musicians like they were able to in Europe, and so needed clergy who could function in both a ministerial and musical rôle. The missionaries were very quickly able to train native musicians to sing & play the elaborate polyphony that was expected in the Tridientine liturgy, and a traveler to the Moxos mission remarked that "the Indians are able to play instruments as well as any European, and they sing acceptably, but not one of them has a vocal range low enough to sing bass!" As a result, masses written in Peru by composers like Thomás de Torrejón y Velasco have an abundance of Tiple (Treble) parts and only one bass part, or, in the case of Domenico Zipoli, would oftentimes dispense with the bass part altogether, and write masses for upper voices, much like Vivaldi at his Venetian conservatory.

Free and open to the public.

SS. Peter and Paul Parish church 515 W. Opp St., WIlmington CA 90744

Parking in church lot

Fri, Nov 4  7:00 PM

Jean Rondeau, harpsichord: J. S. Bach: Goldberg Variations, BWV 988

As a solo artist and a member of the Baroque ensemble Nevermind, Jean Rondeau has expanded the boundaries of early music and earned universal acclaim for his recordings and live performances. His outstanding talent and innovative approach to keyboard repertoire will be on full display with this performance of Bach’s Goldberg Variations, presented in its complete form, with the indicated repeats and judicious insertion of moments of silence.

Pre-concert Talk by Derek Katz, UCSB Associate Professor of Musicology 6 PM / Hahn Hall / Free to event ticket holders

Tickets: General Public $35; All Student $10

Hahn Hall, UC Santa Barbara:  Hahn Hall is located at the Music Academy of the West

more info: https://artsandlectures.ucsb.edu/events-tickets/events/22-23/jean-rondeau/

Friday Nov 18 1215pm

Cornucopia Baroque Ensemble: Music by Boismortier, Croft, Telemann

The ensemble is Aki Nishiguchi (Baroque oboe, recorder), Carolyn Beck (Baroque bassoon), Alfred Cramer (violin), Lindsay Strand-Polyak (violin), Roger Lebow (violincello), Jason Yoshida (theorbo), Ganydon Beeks (harpsichord), Malachi Bandy (viola da gamba).

free,

Lyman Hall, Thatcher Music Building , Pomona College (note special location), Claremont, CA 91711

Saturday, November 19th, 2:00pm Pre-Concert Lecture, 2:30pm Performance, Panel discussion and audience talk-back follows concert

UCLA Early Music Ensemble : "Una Sañosa Porfía: The Sound of Power in the Spanish Empire"

CANCELLED DUE TO UC ACADEMIC WORKERS STRIKE

This performance by the UCLA Early Music Ensemble explores repertoire from Spain and Latin America, featuring works from the Cancionero de Palacios along with contributions by such women composers as Gracia Baptista and Sor Juana Inés de la Cruz. We will also improvise and dance along to ground bass patterns! A pre-concert lecture and post-concert discussion will address colonization in early Latin America, specifically tackling a genre known as the negrilla. We invite all individuals, especially those from Afro-Latin communities, to join us in this profound experience as we seek to confront the [ongoing] harms of the past and provide agency to marginalized voices. 

FREE ADMISSION

UCLA Shoenberg Music Building, 445 Charles E. Young Dr East,  Ostin Ensemble Room Rm 110A (south end Schoenberg Hall)

Self-parking in Parking Structure 2 at Hilgard and Westholme, park at North end (near Schoenberg)

 

Saturday, November  19, 2022 7:30 PM (PT)

The USC Collegium Musicum: "Hoy comamos y bebamos!: Music of Renaissance Spain"

Directed by Adam Knight Gilbert and Alejandro Acosta

Featuring music from various authors from the Cancionero Musical de Palacio and the Cancionero de Medinaceli songbooks, with works by Johannes Urrede, Juan del Encina, Juan Vásquez, Francisco Guerrero, Luis Milan, Luis de Narváez, and Miguel de Fuenllana

Admission Free and Open to the Public

(masks are strongly recommended indoors)

Cammilleri Hall (Google maps will find it), Brain and Creativity Institute, 3620A McClintock Avenue Los Angeles, CA 90089

For more information,

contact Adam Knight Gilbert at akgilber@usc.edu or  (213) 821-6052

Facebook: https://www.facebook.com/USCEarlyMusic/

YouTube: www.youtube.com/user/USCEarlyMusic

For more information, contact: earlymusic@usc.edu

Sunday, November 20, 2022, 5:00 pm - 7:00 pm

Tesserae Baroque : Bach Re/Deconstructed

A unique performance of vocal and instrumental works by Bach that have only survived in “secondary” versions, with the original versions being lost. In an attempt to recreate the sound of the original version, Tesserae will use modern reconstructions, including our own! Works performed will include the “Seventh” Brandenburg Concerto, based on the G-Minor gamba sonata, a Trio Sonata for Recorder and Violin, based on the A-Major Flute Sonata, as well as organ trios arranged as instrumental trios, and an aria from the St. Mark Passion.

Tickets: $30/$25/$15, Children and members of the Music Guild may attend for free.

Masks or proof of vaccination are currently not required for indoor events in Los Angeles County. For those who wish to be seated in an area with additional spacing and a mask requirement, please reach out to alex@tesseraebaroque.org

All Saints’ Episcopal Church, Beverly Hills 504 North Camden Drive Beverly Hills, CA 90210 

DECEMBER 2022

Messiah performances and Messiah sing-alongs are at the END OF THE DECEMBER CALENDAR

Friday, December 2, 2022 8:00 PM

Thornton Baroque Sinfonia: Une jeune pucelle: French Baroque Noels and Dances

Directed by Rotem Gilbert and Jason Yoshida, with guest Mary Vanhoozer, hurdy gurdy 

Featuring music by Marc-Antoine Charpentier, Jean-Baptiste Lully, Élisabeth Jacquet de La Guerre, and Nicolas Saboly. With dances by Michael Praetorius and François Caroubel!

Newman Recital Hall, USC

map: http://web-app.usc.edu/maps/?id=2

Friday, December 9, 2022, 7:00 p.m. (repeats  Saturday, December 10, 2022, 7:00 p.m.)

Bach Collegium San Diego WITH TESSERAE BAROQUE  : MICHAEL PRAETORIUS: CHRISTMAS MASS

Celebrating one of Germany's most influential seventeenth century composers whose music became the core repertoire for Northern Germany's prominent churches.

A thrilling program of Praetorius' music as it might have been heard in a Christmas Lutheran Mass during the first half of the seventeenth century. Joined by Los Angeles-based ensemble Tesserae, specializing in the music of the sixteenth and seventeenth centuries.

PROGRAM:Puer natus in Bethlehem (1619)/Musica Sioniae V (1607), Kyrie: Missa: gantz Teudsch (1619) , Hymns: Allein Gott in der Höh sei Ehr & , Vom Himmel hoch, da komm' ich her , Sonata: Padouana a 5, Johann Hermann Schein , Motet: Duo seraphim a 8, Samuel Scheidt , Wie schön leuchtet der Morgenstern (1619) , Es ist ein Ros entsprungen a 4 (1607) , In dulci jubilo (1619)

Saints Constantine and Helen Greek Orthodox Church  3459 Manchester Ave, Cardiff, CA 92007

more info: https://bachcollegiumsd.org/

 

Saturday, December 10, 2022, 7:00 p.m. (repeats Friday, December 9, 2022, 7:00 p.m.)

Bach Collegium San Diego WITH TESSERAE BAROQUE  : MICHAEL PRAETORIUS: CHRISTMAS MASS

Celebrating one of Germany's most influential seventeenth century composers whose music became the core repertoire for Northern Germany's prominent churches.

A thrilling program of Praetorius' music as it might have been heard in a Christmas Lutheran Mass during the first half of the seventeenth century. Joined by Los Angeles-based ensemble Tesserae, specializing in the music of the sixteenth and seventeenth centuries.

PROGRAM:Puer natus in Bethlehem (1619)/Musica Sioniae V (1607), Kyrie: Missa: gantz Teudsch (1619) , Hymns: Allein Gott in der Höh sei Ehr & , Vom Himmel hoch, da komm' ich her , Sonata: Padouana a 5, Johann Hermann Schein , Motet: Duo seraphim a 8, Samuel Scheidt , Wie schön leuchtet der Morgenstern (1619) , Es ist ein Ros entsprungen a 4 (1607) , In dulci jubilo (1619)

All Souls’ Episcopal Church 1475 Catalina Blvd, San Diego, CA 92107

more info: https://bachcollegiumsd.org/

 

Sat, Dec 10, 2022 2:00 PM  (repeats Sat, Dec 17, 2022 2:00 PM)

Los Angeles Master Chorale: Festival of Carols

Bring the whole family and celebrate the joy of the holiday season with the Los Angeles Master Chorale.

Walt Disney Concert Hall

more info: lamasterchorale.org

 

Sunday Dec 11 11AM

Wessex Consort and Los Goytx: Christmas music for Advent Sunday Service

Medieval, Renaissance, and Baroque Christmas music is performed for the Third Sunday of Advent service at First Baptist Church Glendale.  Bruce Teter and Adam Gilberti program music to be played on historically-accurate instrument copies of Medieval (musa bagpipe, symphony hurdy gurdy, portative organ, vielle fiddle), Renaissance (recorders high and low, alta capella loud band with shawms and sackbut), and Baroque (musette bagpipe, viele a roue hurdy gurdy, oboe, recorder, harpsichord, viola da gamba) instruments, in addition to the mighty organ played by Adam Gilberti. The acoustics are marvelous!

First Baptist Church Glendale, 209 N Louise St, Glendale, CA 91206

free parking for church attendees in adjacent lots

Sun, Dec 11, 2022 7:00 PM

Los Angeles Master Chorale: Lo, How a Rose

This concert is named after a classic Renaissance Christmas carol that depicts the beauty and comfort of the nativity.

Walt Disney Concert Hall

more info: lamasterchorale.org

 

Sun, Dec 18, 7 – 9 PM

London Handel Players: Holiday music by Handel, Bach, Mozart

Catch the holiday spirit with sparkling works by Handel, Bach, Mozart , and Vivaldi played on period instruments by this acclaimed baroque ensemble from London.Immerse yourself in the holiday spirit, sitting onstage with this Baroque ensemble from London. Conjuring Christmases past, the nine-piece ensemble will perform excerpts from Handel’s Messiah, Bach’s Christmas Oratorio, and sparkling works by Mozart and Vivaldi.  Having toured extensively in Europe and North America, London Handel Players will make a rare West Coast stop at The Soraya for this intimate holiday celebration.

Ticket $76

Younes and Soraya Nazarian Center for the Performing Arts, Great Hall 18111 Nordhoff St, Los Angeles, CA

https://www.thesoraya.org/calendar/details/london-handel-players-2022

Parking: https://www.thesoraya.org/visit/parking/

Messiah performances and Messiah sing-alongs

 

Sunday Dec 11 400pm-530pm, Doors open at 3:30 pm.

Messiah Sing-Along

Pasadena's favorite singalong Messiah returns this year! Director Duane Funderburk leads audience members in Handel's masterpiece, assisted by soloists Tiffany Rivette Hintz, Dianne Harmel, Jon Keenan, David Kress and the Lake choir and chamber symphony.

No tickets needed; a freewill offering will be taken.

Additional parking is available from Gateway Plaza  300 N. Corson with free shuttle service starting at 3 pm.

Lake Ave Church 393 North Lake Avenue Pasadena,CA91101

For more information,  626.817.4530.

https://www.lakeave.org/events/messiah-sing-along?evid=3105

 

Sun, Dec 11, 5 – 7 PM

St. James choir: Messiah

Enjoy an evening with friends, family, and the St. James choir performing Handel’s Christmas portion of “Messiah".

Tickets $25

St. James Episcopal Church 3209 Via Lido, Newport Beach, CA

 

Sunday Dec 11 ~4PM

Southland Symphony Orchestra and Chorus: Messiah

Our FABULOUS Annual "MESSIAH" with the SSO Chorus and World Class soloists!

Bring a score to sing along  at the Hallelujah Chorus

Dr. Sylvia Lee Mann , music director and conductor, with soloists

Tickets - FREE up to $20, door prizes, wine at intermission

Bethel Congregational Church Sanctuary, 536 N Euclid Ave, Ontario CA 91762

https://southlandsymphony.com/event/4761326/608051676/messiah-with-southland-symphony-orchestra-and-sso-chorus

Fri, Dec 16, 7 – 8 PM

Handel's Messiah Sing-Along — BRANCH of HOPE

Branch of Hope Orthodox Presbyterian Church 2370 West Carson Street Torrance, CA, 90501

https://www.branchofhope.org/events/2022/12/2/handels-messiah-sing-along

 

SATURDAY, DECEMBER 17  7 PM – 11 PM, Music: 8-10pm with 2 generous intermissions

3rd Annual Wine & Cheese Messiah

We'll perform our favorite choruses, recits, and arias.  Come enjoy a respite from holiday madness in a friendly relaxed atmosphere. 

In response to the growing tradition of huge-scale productions of Handel's best-known work, Sir Thomas Beecham noted a "rapid and violent reaction against monumental performances ... an appeal from several quarters that Handel should be played and heard as in the days between 1700 and 1750". We're heeding this advice and taking it one step further, scaling our forces down to just four voices and a piano.

Soprano: Chloe Vaught, Countertenor: Brandon L. Harris, Tenor: Jon Lee Keenan, Bass, baritone: David Erik Peterson, Accompanied by Ben Ginsberg

The space has theater seating, but you are also welcome to get even closer to the performance by bringing picnic blankets, cushions, bean bags, etc. to picnic on the theater floor. BYO picnic like you're going to the Hollywood Bowl!  Concessions will also be available for purchase.

Tickets: Sliding scale: $1-$1000 donation at the door

Highways Performance Space 1651 18th St. Santa Monica, CA 90404
https://www.highwaysperformance.org/

Facebook event:  https://tinyurl.com/3rdWCM

 

Sat, Dec 17, ?

Handel's Messiah Sing-along

Claremont orchestra,

Bridges Hall of Music, 150 E 4th St, Claremont, CA

? SOLD OUT?

https://www.gspcem.net/event-details/handels-messiah-sing-along

 

Sun, Dec 18, 4:30 – 6:00 PM

Handel's 'Messiah'

Daniel Suk (Artistic Director of Dream Orchestra) and Joe Bazyouros (Director of Music at the Cathedral)

General Admission: $40.00, Admission is for general seating on a first come, first serve basis, and parking will be $10.

Cathedral of Our Lady of the Angels, 555 W Temple St, Los Angeles, CA 90012-2707

https://olacathedral.org/events/handels-messiah

https://local.aarp.org/event/handels-messiah-returns-to-the-cathedral-2022-12-18-los-angeles-ca.html

 

Sun, Dec 18, 2022 7:00 PM

Los Angeles Master Chorale: Handel's Messiah

Hear Handel’s dramatic arias and rousing choruses performed with passion and precision by the Los Angeles Master Chorale. You’ll be shouting “Hallelujah!” all the way home.

Walt Disney Concert Hall

Grant Gershon, conductor, 48 singers and chamber orchestra, Sunmi Shin, soprano, Laura Smith, Roethe, mezzo-soprano, Robert Norman, tenor, Derrell Acon, bass

RUN TIME: 150 minutes with intermission

https://lamasterchorale.org/messiah

https://lamasterchorale.org/holidays

December 19, 7:30 PM

Messiah Sing-Along 2022

What's better than listening to "Messiah"? Singing along, of course! Whether you are a classically trained soprano or a spirited singer in the shower, join us for this vibrant holiday sing-along tradition. Bring your own score or purchase one in the lobby, and be prepared to sing, sing, sing and enjoy! Purchase your score at the event, or bring your own. 

SOLOISTS: Graycen Gardner, soprano, Lindsay Patterson Abdou, mezzo-soprano, Casey Breves, tenor, David Dong-Geun Kim, bass

RUN TIME: 150 minutes with intermission

COVID-19 SAFETY: Due to the participatory nature of this performance, masks are required for the Sing-Along Messiah. We recommend that our patrons wear well-fitting medical grade masks, surgical masks, or higher-level respirators, such as N95 or KN95 masks. The Los Angeles Master Chorale suggests that all guests get vaccinated with a W.H.O.-listed COVID-19 vaccine, but vaccines are not required to attend our concerts. If you cannot meet this requirement, and have already purchased tickets, we will offer an exchange or refund.

Tickets: $45-$153

Disney Hall, Downtown Los Angeles

January 2023

Thursday January 5 at 7 P. M.

Musica Transalpina: Requiem Memorial for Pope Benedict XVI

program: Requiem ex F con terza minore by Heinrich Ignaz Franz Biber

Musica Transalpina is a professional vocal & period instrument ensemble dedicated to reviving sacred music from the early baroque period. World-class musicians incorporate the most recent HIP scholarship in their field to offer performances of music never before heard in America. Bryan Roach, Musical Director

One of the most immediately identifiable legacies of Pope Benedict XVI., which continues unabatedly even after his pontificate, is the profound effect he had on serious liturgical music.  He was a gentleman of refined musical sensibilities and discriminating taste, promoting a high standard of musicianship which has reintroduced choral music into churches, and not only in concert settings. He was a great proponent of the Church’s full classical music tradition, not interpreted narrowly in terms of simple Roman plainchant and austere Renaissance polyphony, but broadly, in the grand Central European tradition in which he was raised and which Musica Transalpina is dedicated to bringing to the United States. He believed that there was a deep spiritual & psychological value in “baroque masterpieces” and concerted mass settings because they can help the faithful contemplate the joy of the the Faith by their confidence and brillo.

Free , parking onsite in large church lot

Ss. Peter and Paul Parish Church, 515 West Opp Street, Wilmington CA 90744.

more info: https://musicatransalpina.org/category/events/upcoming/

THURSDAY, JANUARY 6 - SATURDAY, JANUARY 21

Friday Jan 6, 2023 | 8:00pm*

Saturday Jan 7, 2023 | 7:00pm

​(Repeats  Jan 12, 14,  20, 21 (final weekend Sold Out)

Pacific Opera Project: Antonio Vivaldi's

Ercole su'l Termodonte. 

ENJOY the video of a performance of this fantastic opera with some excellent singers and production: check out these highlights:

countertenor at 1:45:55

soprano/oboe at 2:00:12

soprano rage aria at 2:10:00

https://www.youtube.com/watch?v=0vivsV07qKo

POP presents the U.S. premiere of a rare, recently rediscovered Vivaldi opera, "Ercole su'l Termodonte," (1723) based on the Greek myth of the ninth Labor of Hercules, where Hercules is tasked with capturing the sword of Antiope, the queen of the Amazons. POP will employ a mix of countertenors, mezzos, tenors, and sopranos performing the roles of seven castrati (many en travesti) with a period orchestra. Set in the Baroque era, POP will transform the Highland Park Ebell Club into a baroque opera house, complete with hand-built box seating, pre-show experiences, food, and wine. Opening and closing nights are black-tie optional and costumes are always encouraged. This is not just an opera, but an immersive experience into the 1700s that cannot be missed. The Highland Park Ebell 131 S. Avenue 57 Los Angeles, CA  90042 Tickets: $20-320.

For information, visit www.pacificoperaproject.com/ercole
 

SATURDAY, JANUARY 7, 2023 AT 8 PM

Jouyssance Early Music Ensemble: A Merrie Twelfth Night

Jouyssance returns to the British Isles for its beloved celebration of Twelfth Night, performing works by Dunstable, Tallis, Byrd and Philips, plus a host of 15th and 16th century carols both familiar and obscure.
Join us afterwards as we toast the holiday season with some complimentary goodies and a cup of Wassail!

Saint Paul the Apostle 10750 Ohio Avenue Los Angeles, CA 90024

more info: https://www.facebook.com/jouyssance/

www.jouyssance.org/current-season

SATURDAY, JANUARY 7TH @ 7:30 PM

Kontrapunktus : music by  Handel and Bach: Soli Deo gloria

Led by acclaimed Sphinx Competition First Place Laureate and Concertmaster, HANNAH WHITE, and featuring a world-class chamber ensemble that hail from the prestigious Juilliard School and Colburn School

Program includes Bach’s, “Violin Concerto in A Minor.” with Aubree Oliverso, violin

            Although these two musical titans were born five weeks and less than 100 miles apart, they could not have been more different. Handel dedicated his life to commerce and was ostentatious; whereas, Bach committed his to the clergy and was modest. They shared only a few things in common-a mutual friend in their eminent counterpart, Georg Philipp Telemann, a penchant for coffee, a superlative ingenuity for composition, and the initials "S.D.G." that both, especially Bach, inscribed at the end of many of these compositions to extol their faith. "S.D.G." is abbreviated for SOLI DEO GLORIA, which is Latin for Glory to God alone.  This sacred locution is indicative of the magnificent production we have planned for this winter. And with just about every member of our stellar ensemble returning, SOLI DEO GLORIA promises to be a concertgoing experience for the ages!

Parking is free and masks are optional, All venues are ADA compliant

Ticket $20-$25,  more info: https://www.kontrapunktus.com/

WEST HOLLYWOOD, ST. AMBROSE CATHOLIC CHURCH

 

SUNDAY, JANUARY 8TH @ 4 PM (Doors open at 3 PM)

Kontrapunktus : music by  Handel and Bach: Soli Deo gloria

Led by acclaimed Sphinx Competition First Place Laureate and Concertmaster, HANNAH WHITE, and featuring a world-class chamber ensemble that hail from the prestigious Juilliard School and Colburn School

Program includes Bach’s, “Violin Concerto in A Minor.” with Aubree Oliverso, violin

            Although these two musical titans were born five weeks and less than 100 miles apart, they could not have been more different. Handel dedicated his life to commerce and was ostentatious; whereas, Bach committed his to the clergy and was modest. They shared only a few things in common-a mutual friend in their eminent counterpart, Georg Philipp Telemann, a penchant for coffee, a superlative ingenuity for composition, and the initials "S.D.G." that both, especially Bach, inscribed at the end of many of these compositions to extol their faith. "S.D.G." is abbreviated for SOLI DEO GLORIA, which is Latin for Glory to God alone.  This sacred locution is indicative of the magnificent production we have planned for this winter. And with just about every member of our stellar ensemble returning, SOLI DEO GLORIA promises to be a concertgoing experience for the ages!

Parking is free and masks are optional, All venues are ADA compliant

Ticket $20-$25,  more info: https://www.kontrapunktus.com/

CITY OF ORANGE, ST. JOHN'S LUTHERAN CHURCH
 

Sunday, January 8, 2023 at 2:00 p.m. (livestream and live audience - but note reservation requirements below)

COREY CEROVSEK,  Violinist

Program

J.S. Bach (1685-1750):Sonata No.in G Minor for solo violin, BWV1001

J.S. Bach:Sonata No.3 in C Major for solo violin, BWV1005

Fritz Kreisler (1875-1962):Recitativo and Scherzo-Caprice for solo violin, Op.6

CLASSICAL CROSSROADS  Second Sundays at Two presents COREY CEROVSEK. Working with Zubin Mehta, Charles Dutoit, Michael Tilson Thomas, among numerous other notable conductors, Corey Cerovsek has performed with leading orchestras worldwide. In recital, he has performed at the Isabella Stewart Gardner Museum (Boston), the Kennedy Center (Washington, D.C.), Lincoln Center Walter Reade Theater and the Frick Collection (New York), the Place des Arts (Montréal), the San Francisco Symphony Orchestra “Debut Series,” Wigmore Hall (London), and the Théâtre du Châtelet and the Salle Gaveau (Paris). 

~ free admission ~

Classical Crossroads concerts are once again open to the public. Advance reservations are required, as are proof of vaccination + booster and N95-level masks (provided gratis). Email ClassicalCrossroads@Earthlink.net by a day ahead with the number in your party and request to be included on the check-in list.

Rolling Hills United Methodist Church, Rolling Hills Estates, California

livestream: https://vimeo.com/event/2721288

THURSDAY, JANUARY 6 - SATURDAY, JANUARY 21 (see Jan 6,7 listing for information)

​Thursday Jan 12, 2023 | 8:00pm

Saturday Jan 14, 2023 |  2:00pm & 7:00pm

​Friday Jan 20, 2023 | 8:00pm

Saturday Jan 21, 2023 |  2:00pm & 7:00pm*
Pacific Opera Project: Antonio Vivaldi Ercole su'l Termodonte. 

FRIDAY, JANUARY 13TH @ 7:30 PM, doors open at 6:30 PM

Kontrapunktus : music by  Handel and Bach: Soli Deo gloria

Led by acclaimed Sphinx Competition First Place Laureate and Concertmaster, HANNAH WHITE, and featuring a world-class chamber ensemble that hail from the prestigious Juilliard School and Colburn School

Program includes Bach’s, “Violin Concerto in A Minor.” with Aubree Oliverso, violin

            Although these two musical titans were born five weeks and less than 100 miles apart, they could not have been more different. Handel dedicated his life to commerce and was ostentatious; whereas, Bach committed his to the clergy and was modest. They shared only a few things in common-a mutual friend in their eminent counterpart, Georg Philipp Telemann, a penchant for coffee, a superlative ingenuity for composition, and the initials "S.D.G." that both, especially Bach, inscribed at the end of many of these compositions to extol their faith. "S.D.G." is abbreviated for SOLI DEO GLORIA, which is Latin for Glory to God alone.  This sacred locution is indicative of the magnificent production we have planned for this winter. And with just about every member of our stellar ensemble returning, SOLI DEO GLORIA promises to be a concertgoing experience for the ages!

Parking is free and masks are optional, All venues are ADA compliant

Ticket $20-$25,  more info: https://www.kontrapunktus.com/

LONG BEACH, GRACE FIRST PRESBYTERIAN CHURCH

Sat, Jan 14, 2023 7:30 PM - 9:30 PM (repeats Sun, Jan 15, 2023 3:00 PM - 5:00 PM (First Congregational Church of Los Angeles | Shatto Chapel)

Musica Angelica Baroque orchestra: Chaos: A Celebration of Baroque Virtuosity

Co-Directed by Principal Cellist Dr. Alexa Haynes-Pilon and Concertmaster Ilia Korol.

PROGRAM:

Rebel : selections from ‘Les Élémens’

Telemann: Concerto for 2 violins in B flat Major, TWV 52:B2 

Handel : Concerto Grosso in B-flat Major, op. 6, No. 7, HWV 325

Geminiani: Concerto Grosso op. 3, no. 3 in E minor  

F. Durante : Concerto No. 8 in A major La Pazzia (“Madness”) 

Vivaldi: Violin Concerto RV 208 in D major, “Grosso Mogul”

Telemann: Concerto for flute, violin and cello in A major, TWV 53:A2 

Ticket Price $58.00-$80.00

Beverly O'Neill Theater, 300 East Ocean Boulevard, Long Beach, California 90802

more info: https://www.musicaangelica.org/ 

SATURDAY, JANUARY 14TH @ 7:30 PM, doors open at 6:30 PM

Kontrapunktus : music by  Handel and Bach: Soli Deo gloria

Led by acclaimed Sphinx Competition First Place Laureate and Concertmaster, HANNAH WHITE, and featuring a world-class chamber ensemble that hail from the prestigious Juilliard School and Colburn School

Program includes Bach’s, “Violin Concerto in A Minor.” with Aubree Oliverso, violin

            Although these two musical titans were born five weeks and less than 100 miles apart, they could not have been more different. Handel dedicated his life to commerce and was ostentatious; whereas, Bach committed his to the clergy and was modest. They shared only a few things in common-a mutual friend in their eminent counterpart, Georg Philipp Telemann, a penchant for coffee, a superlative ingenuity for composition, and the initials "S.D.G." that both, especially Bach, inscribed at the end of many of these compositions to extol their faith. "S.D.G." is abbreviated for SOLI DEO GLORIA, which is Latin for Glory to God alone.  This sacred locution is indicative of the magnificent production we have planned for this winter. And with just about every member of our stellar ensemble returning, SOLI DEO GLORIA promises to be a concertgoing experience for the ages!

Parking is free and masks are optional, All venues are ADA compliant

Ticket $20-$25,  more info: https://www.kontrapunktus.com/

LAGUNA BEACH, LAGUNA PRESBYTERIAN CHURCH

SUNDAY, JANUARY 15TH @ 7:30 PM, doors open at 6:30 PM

Kontrapunktus : music by  Handel and Bach: Soli Deo gloria

Led by acclaimed Sphinx Competition First Place Laureate and Concertmaster, HANNAH WHITE, and featuring a world-class chamber ensemble that hail from the prestigious Juilliard School and Colburn School

Program includes Bach’s, “Violin Concerto in A Minor.” with Aubree Oliverso, violin

            Although these two musical titans were born five weeks and less than 100 miles apart, they could not have been more different. Handel dedicated his life to commerce and was ostentatious; whereas, Bach committed his to the clergy and was modest. They shared only a few things in common-a mutual friend in their eminent counterpart, Georg Philipp Telemann, a penchant for coffee, a superlative ingenuity for composition, and the initials "S.D.G." that both, especially Bach, inscribed at the end of many of these compositions to extol their faith. "S.D.G." is abbreviated for SOLI DEO GLORIA, which is Latin for Glory to God alone.  This sacred locution is indicative of the magnificent production we have planned for this winter. And with just about every member of our stellar ensemble returning, SOLI DEO GLORIA promises to be a concertgoing experience for the ages!

Parking is free and masks are optional, All venues are ADA compliant

Ticket $20-$25,  more info: https://www.kontrapunktus.com/

PASADENA, ST. ANDREW'S CATHOLIC CHURCH

Sun, Jan 15, 2023 3:00 PM - 5:00 PM (repeats Jan 14 7:30 PM in Long Beach)

Musica Angelica Baroque orchestra: Chaos: A Celebration of Baroque Virtuosity

Co-Directed by Principal Cellist Dr. Alexa Haynes-Pilon and Concertmaster Ilia Korol.

PROGRAM:

Rebel : selections from ‘Les Élémens’

Telemann: Concerto for 2 violins in B flat Major, TWV 52:B2 

Handel : Concerto Grosso in B-flat Major, op. 6, No. 7, HWV 325

Geminiani: Concerto Grosso op. 3, no. 3 in E minor  

F. Durante : Concerto No. 8 in A major La Pazzia (“Madness”) 

Vivaldi: Violin Concerto RV 208 in D major, “Grosso Mogul”

Telemann: Concerto for flute, violin and cello in A major, TWV 53:A2 

Ticket Price $58.00-$80.00

First Congregational Church of Los Angeles | Shatto Chapel, 540 South Commonwealth Avenue, Los Angeles, California 90020

more info: https://www.musicaangelica.org/

 

Tuesday, January 17, 2023, 7:00 pm - 9:00 pm        

Tesserae Baroque: Dresden Ditties with special guest Rachel Podger

During the Baroque, Dresden was one of the most prominent and innovative musical centers in Europe, with composers and virtuosic performers such as Pisendel, Hasse, and Zelenka elevating the musical activities of the city to new heights. It was during one of his many visits to this particular city that Johann Sebastian Bach – who in 1736 was appointed Dresden Hofcomponist (Court Composer) – referred to Hasse’s 1731 opera Cleofide as the “Dresden ditties’. While sounding rather disparaging to English ears, the original German phrase,”Dresden Liederchen,” actually does not imply any contempt on the part of the elderly Bach, who by all counts was a major admirer of Dresden and its musicians.

Rachel Podger directs a collaborative performance between the Colburn Conservatory students and Tesserae Baroque in a performance of this virtuosic and exciting repertoire, including music by Bach as well as many ditties of Dresden.

Tickets: $30, $15

Zipper Hall, The Colburn School 200 South Grand Avenue Los Angeles, CA 90012

more info: https://tesseraebaroque.org/event/dresden-ditties/

 

THURSDAY, JANUARY 6 - SATURDAY, JANUARY 21 (see Jan 6,7 listing for information)

​Friday Jan 20, 2023 | 8:00pm

Saturday Jan 21, 2023 |  2:00pm & 7:00pm*
Pacific Opera Project: Antonio Vivaldi Ercole su'l Termodonte. 

Friday, January 20, 2023, 7:30 pm - 9:30 pm

Tesserae Baroque : Bach Week at Cal Poly: Chamber Concert

Tesserae Baroque is delighted to continue its tradition as resident ensemble for Cal Poly’s annual Bach Week in San Luis Obispo. For the Friday Chamber Concert, we will be joined by tenor Michael Jones and soprano Rebecca Myers for our “Bach Reconstructed/Deconstructed’ program.

For ticketing information, please visit bachweek.calpoly.edu.

First Presbyterian Church, San Luis Obispo  981 Marsh Street San Luis Obispo, CA 93401

 

Friday, January 20, 2023   1:00-2:00 PM

Prof. Ireri Chávez-Bárcenas, Bowdoin College: USC MUSICOLOGY FORUM LECTURE“Sounds of Race in 17th-Century New Spain”

Herklotz Seminar Room, University of Southern California

Doheny Memorial Library 3550 Trousdale Prkwy, Los Angeles, CA 90089

Admission Free and Open to the Public

(masks are strongly recommended indoors)

For all of our events, follow us on Facebook:

https://www.facebook.com/USCEarlyMusic/

and YouTube: www.youtube.com/user/USCEarlyMusic

For more information, contact: earlymusic@usc.edu

For more information, contact Adam Knight Gilbert at akgilber@usc.edu or (213) 821-6052

Saturday, January 21, 2023, 2:00 pm - 4:00 pm       

Tesserae Baroque: Bach Week Finale: Bach and the German Chorale

Members of Cal Poly’s Chamber Choir, Symphony and faculty join with Tesserae Baroque to perform a variety of works based on German chorale tunes and texts. The first half of the concert will include a series of motets. The Chamber Choir will begin with a short chorale motet by Heinrich Schütz, who influenced J.S. Bach. The combined choirs will then perform Bach’s celebrated motet “Komm, Jesu Komm” followed by two motets by Johannes Brahms, created in the style of Bach. The orchestra will perform instrumental music under the leadership of Tesserae Baroque to close out the first half of the concert. The second half of the concert will feature one of Bach’s greatest chorale cantatas: “Jesu, der du meine Seele,” BWV 78.

First Presbyterian Church, San Luis Obispo  981 Marsh Street San Luis Obispo, CA 93401 + Google Map 

https://bachweek.calpoly.edu/

Saturday, January 28, 2023, 7:30 pm, 6:30 pm preconcert lecture

6:30 pm preconcert lecture - Preludes @ The Wallis, featuring pre-concert conversation with the artists moderated by Classical California KUSC’s Brian Lauritzen

Los Angeles Chamber Orchestra: Baroque Concerti

Concerti featuring Principal Viola Yura Lee and Principal Trumpet David Washburn; curated by Concertmaster/Director of Chamber Music Margaret Batjer,

Highlights include newly appointed LACO Principal Viola Yura Lee featured on one of the earliest known viola concertos, Telemann's Viola Concerto in G Major, and Principal Trumpet David Washburn performing the pre-classical Concerto for Trumpet in E-flat Major, a hidden gem by little-known Czech composer Johann Baptist Georg Neruda, and Handel's Concerto Grosso in A Major, one of the most celebrated works for strings from the Baroque era.

The program is dedicated to the memory of Warner W. Henry, LACO Board Director Emeritus and a champion of chamber and Baroque music.

PROGRAM:

CORELLI Concerto Grosso in D Major, Opus 6, No. 4

GEMINIANI Concerto Grosso in D Major, Opus 5, No. 1

JOHANN BAPTIST GEORG NERUDA Concerto for Trumpet in E-flat Major

TELEMANN Viola Concerto in G Major

HANDEL Concerto Grosso in A Major, Opus 6, No. 11

For tickets ($79, $59, $39, $29, The Wallis) and information, please visit www.laco.org or call 213 221 3920

Wallis Annenberg Center for the Performing Arts, 9390 N. Santa Monica Boulevard, Beverly Hills, CA 90210

 

Sunday, January 29, 2023, 7:30 pm - concert; 7:00 pm preconcert lecture

Los Angeles Chamber Orchestra: Baroque Concerti

Concerti featuring Principal Viola Yura Lee and Principal Trumpet David Washburn; curated by Concertmaster/Director of Chamber Music Margaret Batjer,

Highlights include newly appointed LACO Principal Viola Yura Lee featured on one of the earliest known viola concertos, Telemann's Viola Concerto in G Major, and Principal Trumpet David Washburn performing the pre-classical Concerto for Trumpet in E-flat Major, a hidden gem by little-known Czech composer Johann Baptist Georg Neruda, and Handel's Concerto Grosso in A Major, one of the most celebrated works for strings from the Baroque era.

The program is dedicated to the memory of Warner W. Henry, LACO Board Director Emeritus and a champion of chamber and Baroque music.

PROGRAM:

CORELLI Concerto Grosso in D Major, Opus 6, No. 4

GEMINIANI Concerto Grosso in D Major, Opus 5, No. 1

JOHANN BAPTIST GEORG NERUDA Concerto for Trumpet in E-flat Major

TELEMANN Viola Concerto in G Major

HANDEL Concerto Grosso in A Major, Opus 6, No. 11

For tickets ($58, Rothenberg Hall) and information, please visit www.laco.org or call 213 221 3920

Rothenberg Hall, The Huntington, 1151 Oxford Road, San Marino, CA 91108

February 2023

FRIDAY, February 3, 2023 12:00-1:00 p.m.

CON GIOIA Early Music Ensemble: Inspired by Goethe: Music with texts by Goethe composed by his contemporaries.

John Buffet, baritone; and Janelle DeStefano, mezzo-soprano; with artistic director Preethi de Silva, and Stephan Moss, fortepiano; commentary by Prof. Roswitha Burwick.  

Admission is free.

Balch Auditorium, Scripps College. 10th and Columbia, Claremont, CA 91711

Proof of vaccination against COVID-19 or a negative result of a diagnostic test result taken within 32 hours prior to the event will be required for entry.Proof of vaccination against COVID-19 or a negative result of a diagnostic test result taken within 32 hours prior to the event will be required forentry. All audience members must wear a mask and observe social distancing when indoors at the venue.Further details at www.congioia.org (909) 624-0638.

Friday February 17, 2023  1:30 PM (part of an actual wedding)

Musica Transalpina : Royal Wedding Music - Schmelzer Missa Nuptialis

            Musica Transalpina will proudly present Heinrich Schmelzer’s Missa Nuptialis which was composed for the royal wedding of the Infanta Margaret Theresa of Spain to the Holy Roman Emperor Leopold I. in 1666. The Infanta’s wedding to the Emperor was one of the most splendid ceremonies of the baroque era, whose lavish festivities––including pyrotechnics upon her entrée into Vienna, costly productions like Antonio Cesti’s opera Il pomo d’oro and Schmelzer’s famous horse ballet that the Emperor himself performed in––lasted for nearly two years. These celebrations were warranted because this union cemented Habsburg hegemony which, if an heir were produced, would ensure lasting peace following the devastation of the Thirty Years’ War.

            In continuing with their tradition of historically-informed performances of baroque sacred music in liturgical settings, Musica Transalpina will help recreate the wedding Mass as it would have been heard by the select audience invited to witness this intimate 17th-century royal ceremony.

This performance is endorsed by the Spanish Consulate and the Instituto Cervantes, dedicated to the promotion of Spanish arts & culture. 

As always, Musica Transalpina performances are free of charge and open to the public, but please consider donating to support their research and performance of baroque sacred music.by donating on their website, musicatransalpina.org. Musica Transalpina is a registered 501(c)(3) organization.

Ss. Peter and Paul parish church 515 West Opp Street Wilmington, CA  90744

parking  in large church lot, , more information:  musicatransalpina.org

Saturday, February 25 300-4:15 pm

Dialogos Ensemble: “Barlaam and Josaphat” (a Medieval story told through music)

The sounds of the medieval past are conjured in Paris-based Ensemble Dialogos's presentation of the legend of Barlaam and Josaphat. Wildly popular in medieval Europe, the tale of Prince Josaphat and his hermit-teacher Barlaam originated in 3rd-4th century India and tells a surreal, Christianized version of the life of Buddha. In this concert, Ensemble Dialogos explores the legend through several musical repertoires of the Middle Ages, reflecting the beloved story's translation into Greek, Latin, Old-Russian, Old-Croatian, Old-French, medieval Occitan, and Italian manuscripts. Program includes supertitles.
Ensemble Dialogos.: Founded in 1997, the ensemble brings together singers and instrumentalists from different backgrounds and countries to revive European oral and written traditions, from the Middle Ages to the present day. Katarina Livljanić, voice, direction, Albrecht Maurer, fiddle, rebec, Norbert Rodenkirchen, flutes, harp
This performance complements the Getty exhibition A Passion for Collecting Manuscripts on view January 31 through April 23, 2023.

Concert-related links:
Trailer 1:  https://youtu.be/uH-QYO5Xskk (introduction)
Trailer 2:  https://youtu.be/rRManNdwYCM (story)
Song 1: https://youtu.be/uhGzxJaHxSc (Era in qual tempo)
Song 2: https://youtu.be/zBffKHNM0IQ (Poyde Baarlam)

This concert is in conjunction with the UCLA CMRS conference:

“The Future of Medieval France” is an international conference on the past, present, and future of medieval studies in Europe presented in honor of John W. Baldwin. Organized by Professor Meredith Cohen (Art History, UCLA) and Professor Zrinka Stahuljak (CMRS-CEGS Director, UCLA).

https://cmrs.ucla.edu/conference/the-future-of-medieval-france/

FREE! concert seats must be reserved separately from conference registration — advance tickets required.

Getty Center. Paid parking available at the Center.

More information and reservations on the Getty Center’s website https://www.getty.edu/visit/cal/events/ev_3762.html

 

Tuesday, February 28, 7:30 pm, at The Huntington’s Rothenberg Hall (San Marino) (repeats March 2, 3 4, 5)

Emi Ferguson (baroque and modern flute) and “baroque band” RUCKUS: J.S. Bach flute sonatas and preludes

     Camerata Pacifica, considered one of the nation’s leading chamber ensembles, presents acclaimed flute virtuoso Emi Ferguson, and RUCKUS, "the world’s only period-instrument rock band" (San Francisco Classical Voice), in a lively performance of a selection of Bach’s transcendent Sonatas and Preludes. According Ferguson, these idiosyncratic performers reimagine Bach for the 21st-century, infusing his music “with equal parts tradition, funk, whimsy, and fun.” Ferguson is a historical flutist, serving as Principal Flute of the Handel and Haydn Society, is a frequent guest artist with such period groups as Voices of Music, the American Classical Orchestra, and Trinity’s Baroque Orchestra.Ruckus is a shapeshifting, collaborative “Baroque band“ with a visceral and playful approach to early music. The band’s performances, hailed as “superb” (Opera News) are described as “achingly delicate one moment, incisive and punchy the next” (New York Times). Ruckus’s core is a continuo group, the Baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. Other members include soloists of the violin, flute and oboe. The ensemble fuses the creative spirit of early music with the grit, groove, and jangle of American roots music to create a unique sound. In 2022, Rukus served as baroque band in residence at The Ojai Festival.

PROGRAM: G Major Prelude, BWV 884, E Minor Prelude, BWV 855, G Minor Prelude, BWV 847, C Minor Prelude, BWV 999, E Major Prelude, BWV 815a, E Minor Flute Sonata, BWV 1034, C Major Flute Sonata, BWV 1033, E Major Flute Sonata, BWV 1035

tickets ($68)

more info : www.cameratapacifica.org

The Huntington’s Rothenberg Hall, 1151 Oxford Rd, San Marino, CA 91108


 

March 2023 is EARLY MUSIC month

Thursday, March 2, 8 pm, at Zipper Hall, The Colburn School (Downtown Los Angeles) (repeats Feb 28, March 3, 4, 5)

Emi Ferguson (baroque and modern flute) and “baroque band” RUCKUS: J.S. Bach flute sonatas and preludes

     Camerata Pacifica, considered one of the nation’s leading chamber ensembles, presents acclaimed flute virtuoso Emi Ferguson, and RUCKUS, "the world’s only period-instrument rock band" (San Francisco Classical Voice), in a lively performance of a selection of Bach’s transcendent Sonatas and Preludes. According Ferguson, these idiosyncratic performers reimagine Bach for the 21st-century, infusing his music “with equal parts tradition, funk, whimsy, and fun.” Ferguson is a historical flutist, serving as Principal Flute of the Handel and Haydn Society, is a frequent guest artist with such period groups as Voices of Music, the American Classical Orchestra, and Trinity’s Baroque Orchestra.Ruckus is a shapeshifting, collaborative “Baroque band“ with a visceral and playful approach to early music. The band’s performances, hailed as “superb” (Opera News) are described as “achingly delicate one moment, incisive and punchy the next” (New York Times). Ruckus’s core is a continuo group, the Baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. Other members include soloists of the violin, flute and oboe. The ensemble fuses the creative spirit of early music with the grit, groove, and jangle of American roots music to create a unique sound. In 2022, Rukus served as baroque band in residence at The Ojai Festival.

PROGRAM: G Major Prelude, BWV 884, E Minor Prelude, BWV 855, G Minor Prelude, BWV 847, C Minor Prelude, BWV 999, E Major Prelude, BWV 815a, E Minor Flute Sonata, BWV 1034, C Major Flute Sonata, BWV 1033, E Major Flute Sonata, BWV 1035

tickets ($68)

more info : www.cameratapacifica.org

Zipper Hall, The Colburn School, 200 S Grand Ave, Los Angeles, CA 90012

 

 

Friday, March 3, 2023, 7:30 pm  (Santa Barbara) (repeats Feb 28, March 2, 4, 5)

Emi Ferguson (baroque and modern flute) and “baroque band” RUCKUS: J.S. Bach flute sonatas and preludes

     Camerata Pacifica, considered one of the nation’s leading chamber ensembles, presents acclaimed flute virtuoso Emi Ferguson, and RUCKUS, "the world’s only period-instrument rock band" (San Francisco Classical Voice), in a lively performance of a selection of Bach’s transcendent Sonatas and Preludes. According Ferguson, these idiosyncratic performers reimagine Bach for the 21st-century, infusing his music “with equal parts tradition, funk, whimsy, and fun.” Ferguson is a historical flutist, serving as Principal Flute of the Handel and Haydn Society, is a frequent guest artist with such period groups as Voices of Music, the American Classical Orchestra, and Trinity’s Baroque Orchestra.Ruckus is a shapeshifting, collaborative “Baroque band“ with a visceral and playful approach to early music. The band’s performances, hailed as “superb” (Opera News) are described as “achingly delicate one moment, incisive and punchy the next” (New York Times). Ruckus’s core is a continuo group, the Baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. Other members include soloists of the violin, flute and oboe. The ensemble fuses the creative spirit of early music with the grit, groove, and jangle of American roots music to create a unique sound. In 2022, Rukus served as baroque band in residence at The Ojai Festival.

PROGRAM: G Major Prelude, BWV 884, E Minor Prelude, BWV 855, G Minor Prelude, BWV 847, C Minor Prelude, BWV 999, E Major Prelude, BWV 815a, E Minor Flute Sonata, BWV 1034, C Major Flute Sonata, BWV 1033, E Major Flute Sonata, BWV 1035

tickets ($68)

more info : www.cameratapacifica.org

Music Academy of the West, 1070 Fairway Rd, Santa Barbara, CA 93108

Friday, March 3, 2023 1:00 PM

Nell Snaidas and Alejandro Acosta: USC MUSICOLOGY FORUM LECTURE: 

 "Performing Torrejón y Velasco's La púrpura de la rosa" and "Francisco Javier García Fajer's Missa in D"

Herklotz Seminar Room, University of Southern California

Doheny Memorial Library3550 Trousdale Prkwy, Los Angeles, CA 90089

Admission Free and Open to the Public

(masks are strongly recommended indoors)

For all of our events, follow us on Facebook:

https://www.facebook.com/USCEarlyMusic/

and YouTube: www.youtube.com/user/USCEarlyMusic

For more information, contact: earlymusic@usc.edu

For more information, contact Adam Knight Gilbert at akgilber@usc.edu or  (213) 821-6052

Friday, March 3, 8:00 PM  

Thornton Baroque Sinfonia: “Early Modern Music in the Americas”

Led by Adam Gilbert, Jason Yoshida, and Jennifer Kampani, the USC Thornton Baroque Sinfonia performs selections from Francisco Javier García Fajer's Missa in D and Torrejón y Velasco's La púrpura de la rosa, the first opera composed in the Americas

Admission Free and Open to the Public

Alfred Newman Recital Hall 3616 Trousdale Prkwy, Los Angeles, CA 90089
http://web-app.usc.edu/maps/?id=2
(masks are strongly recommended indoors)

For more information, contact Adam Knight Gilbert at akgilber@usc.edu or  (213) 821-6052
earlymusic@usc.edu

For all of our events, follow us

on Facebook: https://www.facebook.com/USCEarlyMusic/
and YouTube: www.youtube.com/user/USCEarlyMusic

Saturday March 4 7:30 pm (La Jolla, 92037)  (SDEMS) (repeats Feb 28, March 2, 3, 5)

Emi Ferguson (baroque and modern flute) and “baroque band” RUCKUS: J.S. Bach flute sonatas and preludes

     Camerata Pacifica, considered one of the nation’s leading chamber ensembles, presents acclaimed flute virtuoso Emi Ferguson, and RUCKUS, "the world’s only period-instrument rock band" (San Francisco Classical Voice), in a lively performance of a selection of Bach’s transcendent Sonatas and Preludes. According Ferguson, these idiosyncratic performers reimagine Bach for the 21st-century, infusing his music “with equal parts tradition, funk, whimsy, and fun.” Ferguson is a historical flutist, serving as Principal Flute of the Handel and Haydn Society, is a frequent guest artist with such period groups as Voices of Music, the American Classical Orchestra, and Trinity’s Baroque Orchestra.Ruckus is a shapeshifting, collaborative “Baroque band“ with a visceral and playful approach to early music. The band’s performances, hailed as “superb” (Opera News) are described as “achingly delicate one moment, incisive and punchy the next” (New York Times). Ruckus’s core is a continuo group, the Baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. Other members include soloists of the violin, flute and oboe. The ensemble fuses the creative spirit of early music with the grit, groove, and jangle of American roots music to create a unique sound. In 2022, Rukus served as baroque band in residence at The Ojai Festival.

PROGRAM: G Major Prelude, BWV 884, E Minor Prelude, BWV 855, G Minor Prelude, BWV 847, C Minor Prelude, BWV 999, E Major Prelude, BWV 815a, E Minor Flute Sonata, BWV 1034, C Major Flute Sonata, BWV 1033, E Major Flute Sonata, BWV 1035

tickets ($68)

more info : www.cameratapacifica.org

St James by-the-Sea  (La Jolla, 92037)  

https://sdems.org/artist/ruckus/

 

Saturday, March 4, 2023, 8:00 pm

Pacific Chorale  and Bach Collegium San Diego and Tesserae Baroque : Monteverdi’s “Vespers of 1610”

Pacific Chorale, conducted by Artistic Director Robert Istad  and Bach Collegium San Diego  Founder/ Organist Ruben Valenzuela present a Historically-Informed Performance of a pillar of the Baroque music canon whose splendor and virtuosity has captivated audiences for centuries.

Be transported to a world of passionate choruses, virtuosic solos, dancelike rhythms and sensuous duets, with surprises around every turn! Robert Istad conducts Pacific Chorale’s first complete performance of Monteverdi’s stunning Vespers of the Blessed Virgin of 1610, featuring the accomplished period instrumentalists of Bach Collegium San Diego and Tesserae Baroque, with director Ruben Valenzuela at the organ. Don’t miss this rare opportunity to hear one of history’s most dramatic, varied, and exuberant sacred choral works—written to impress a Pope!

Tickets $25 - $75

Our Lady Queen of Angels Catholic Church, Newport Beach, 2100 Mar Vista Drive 92660

information visit www.pacificchorale.org or call 714-662-2345.

Sunday March 5, 2023 8:00pm

Mana Azimi: Baroque music for Triple harp

Mana Azimi presents a recital program of Baroque music for triple harp, a rarely heard instrument. She is joined by Maxine Eilander also on triple harp, and Eric Tinkerhess on viola da gamba. The program is music by Trabaci, Marais, Gatti, Handel, Royer, and more.

Free

Ramo Recital Hall, USC campus 820 W 34th St, BMH 100, Los Angeles, CA 90007

across 34th St from the University church

parking : Lot B off Jefferson near Hoover, or Lot X off Figeuroa at 35th St.

Sunday, March 5, 3 pm,  (Ventura) (repeats Feb 28, March 2, 3, 4)

Emi Ferguson (baroque and modern flute) and “baroque band” RUCKUS: J.S. Bach flute sonatas and preludes

     Camerata Pacifica, considered one of the nation’s leading chamber ensembles, presents acclaimed flute virtuoso Emi Ferguson, and RUCKUS, "the world’s only period-instrument rock band" (San Francisco Classical Voice), in a lively performance of a selection of Bach’s transcendent Sonatas and Preludes. According Ferguson, these idiosyncratic performers reimagine Bach for the 21st-century, infusing his music “with equal parts tradition, funk, whimsy, and fun.” Ferguson is a historical flutist, serving as Principal Flute of the Handel and Haydn Society, is a frequent guest artist with such period groups as Voices of Music, the American Classical Orchestra, and Trinity’s Baroque Orchestra.Ruckus is a shapeshifting, collaborative “Baroque band“ with a visceral and playful approach to early music. The band’s performances, hailed as “superb” (Opera News) are described as “achingly delicate one moment, incisive and punchy the next” (New York Times). Ruckus’s core is a continuo group, the Baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. Other members include soloists of the violin, flute and oboe. The ensemble fuses the creative spirit of early music with the grit, groove, and jangle of American roots music to create a unique sound. In 2022, Rukus served as baroque band in residence at The Ojai Festival.

PROGRAM: G Major Prelude, BWV 884, E Minor Prelude, BWV 855, G Minor Prelude, BWV 847, C Minor Prelude, BWV 999, E Major Prelude, BWV 815a, E Minor Flute Sonata, BWV 1034, C Major Flute Sonata, BWV 1033, E Major Flute Sonata, BWV 1035

tickets ($68)

more info : www.cameratapacifica.org

Museum of Ventura County, 100 E Main St, Ventura, CA 93001

Saturday, March 11  7:00PM, doors open at 6:30PM

UCLA Early Music Ensemble : music from the Spanish Empire

Directed by Marylin Winkle and assisted by Ela Kodzas, this program by the UCLA Early Music Ensemble explores music from the Spanish Empire during the Medieval, Renaissance, and Baroque eras. Our musical storytellers will depict feelings of love, loss, and power[lessness] on both inter-personal and national levels as a consequence of Spanish colonialism.

FREE ADMISSION

UCLA Ostin Ensemble Room (Room 110A, located next to Ostin Music Cafe) 

Evelyn & Mo Ostin Music Center, 445 Charles E Young Dr E, Los Angeles, CA 90095

Sunday March 12 4:00pm-5:00pm

St. Bede's choir and Wessex Consort: Evensong service

Friends of Music at St. Bede's presents the annual Lenten Evensong service.  The Daily Evening Prayer service features choral music by Lasso, Tallis, Tompkins, and Gibbons, sung by the choir and accompanied Wessex Consort playing 8' consort of low recorders, with Frank Basile conducting and playing organ. Prelude and postlude music by Tallis, Isaac, Morley, and Victoria is played by the Wessex Consort on a 6' recorder consort.

Free

St. Bedes Episcopal church, 3590 Grand View Blvd, Los Angeles, CA

ample parking in the church lot and street

 

March 18 7:30 PM  (repeats March 19 in Los Angeles)

Musica Angelica Baroque Orchestra: Ode to Music: Handel, Hendrix, and a Very Special House- Long Beach

Directed by Gonzalo X Ruiz featuring soprano soloist Clara Rottsolk.

      When Handel settled in London at the house where he would spend the rest of his life, he became obsessed with the great English poets of previous generations, resulting in his setting of “Ode to St. Cecilia,” a veritable love letter to music. We combine arias from this masterpiece with instrumental works from his great Opus 6 Concerti Grossi and “Terpsichore”, Handel’s love letter to dance. Many generations later, another musical pioneer took up residence in the same house: Jimi Hendrix! We celebrate this odd connection with a "built-in encore" of "Little Wing" arranged for rock quartet and Musica Angelica, in the spirit of last season's "Exit Music.”

Beverly O’Neill Theater 300 East Ocean Boulevard Long Beach, California 90802

more info: https://www.musicaangelica.org/

March 19 (repeats March 18 in Long Beach)

Musica Angelica Baroque Orchestra: Ode to Music: Handel, Hendrix, and a Very Special House- Long Beach

Directed by Gonzalo X Ruiz featuring soprano soloist Clara Rottsolk.

     When Handel settled in London at the house where he would spend the rest of his life, he became obsessed with the great English poets of previous generations, resulting in his setting of “Ode to St. Cecilia,” a veritable love letter to music. We combine arias from this masterpiece with instrumental works from his great Opus 6 Concerti Grossi and “Terpsichore”, Handel’s love letter to dance. Many generations later, another musical pioneer took up residence in the same house: Jimi Hendrix! We celebrate this odd connection with a "built-in encore" of "Little Wing" arranged for rock quartet and Musica Angelica, in the spirit of last season's "Exit Music.”

First Congregational Church of Los Angeles | Shatto Chapel 540 South Commonwealth Avenue Los Angeles, California 90020

more info: https://www.musicaangelica.org/

March 24 7:30 pm - 9:30 pm (San Diego)

Concerto Köln and Jeanine De Bique : "Mirrors," arias by Handel, Graun, Telemann

The program examins how the same opera heroine might be differently conceived by major Baroque composers. The program is titled after their 2021 album that was enthusiastically received by critics and the public.

Cost:$10 – $50

San Diego Early Music Society

St James by-the-Sea 743 Prospect St La Jolla, 92037 United States

https://sdems.org/event/jeanine-de-bique-concerto-koln/

Friday, March 24, 2023, 7:00 p.m.  (San Diego) (repeats  Saturday, March 25, 2023, 7:00 p.m.)

Bach Collegium San Diego ; J.S. BACH: ST. MATTHEW PASSION

J.S. Bach’s vivid musical account of Christ's passion combines a striking drama and devotion forming a pinnacle of the vocal works composed for the Leipzig churches.

Bach's St. Matthew Passion was written for the Good Friday Vespers service of 1727 at the St Thomas' Church Leipzig and brings together relevant themes of betrayal, judgement, death, and love as expressed through St. Matthew's Gospel and Bach's librettist Picander.

SOLOISTS: Aaron Sheehan, Evangelist , Clara Rottsolk, Soprano , Estelí Gomez, Soprano , Virginia Warnken, Mezzo-Soprano , Jay Carter, Countertenor , Paul Max Tipton (Christus), Bass-Baritone , Enrico Lagasca (Pilatus), Bass-Baritone

All Souls' Episcopal Church 1475 Catalina Blvd, San Diego, CA 92017

more info: https://bachcollegiumsd.org/

Saturday March 25th at 7 P. M.

Musica Transalpina: Cavalli’s Messa Concertata from his Musiche Sacre concernenti

Published at Venice in 1656,this mass displays many characteristics of sacred music of the 1640s, and bears a striking resemblance to Monteverdi’s setting of the Gloria published in his famous Selva Morale e Spirituale of 1641. Indeed, Cavalli––who was immensely important for the development of opera––was Monteverdi’s assistant at S. Mark’s Basilica, and this Mass reflects a keen awareness of the text along with the dense partwriting and sudden shifts in texture between soloists & ripienists that became fashionable as the polychoral style started to thicken towards the middle of the seventeenth century. As Cavalli succeeded Monteverdi after the latter died in 1643, this gives us an idea of what a complete mass by Monteverdi in the concertato style would have sounded like.

Monteverdi: Gloria: https://www.youtube.com/watch?v=0X4w-6gxJZ4

Free: We never charge for our performances: All these programes are made possible by the kindness of our generous benefactors. Thank you for helping us bring classical music of the highest calibre to a wider audience.

parking onsite in large church lot

Ss. Peter and Paul Parish Church, 515 West Opp Street, Wilmington CA 90744.

more info: https://musicatransalpina.org/category/events/upcoming/

Saturday, March 25, 2023 at 4:00PM

L.A. Camerata: LOVE & MAGIC: A Salon Performance

L.A. Camerata performs selections from Camilla de Rossi’s secular cantata, Fra Dori e Fileno (1710) & a new opera by Tamzin Elliott, Meidelant (libretto by Sara Fetherolf).

FRA DORI E FILENO- Fileno, a shepherd (Sarah Reynolds), approaches the shoreline where he sees Dori, a sea nymph (Marisa De Silva), arise from the waves. By the next day, they are wed. This piece will be performed on period instruments.

MEIDELANT-Morgan, a.k.a. Morgana le Fey from Arthurian legend (Hannah Rice), discovers magic and her sexuality during her youthful years in a convent. This score calls for historical instruments and synthesizer.

We hope to perform both of these works in their entirety in the near future but need your support to actualize that goal!

PERFORMERS: Marylin Winkle, Artistic Director, baroque cello, viola da gamba, vielle

Tamzin Elliott, Composer & Producer, harp, Sara Fetherolf, librettist, Sarah Reynolds, Producer, mezzo-soprano, Marisa De Silva, soprano, Hannah Rice, soprano, Haley Hedergard, viola da gamba, Matthew Xie, theorbo, baroque guitar

ADMISSION: By donation, give what you can. This event is a fundraiser to support full upcoming productions of the works excerpted in this performance. Donations can be made without fees via VenMo @LosAngeles-Camerata. Donations can also be submitted through our website.

L.A. Camerata is an initiative to resound silenced voices in the arts.

WHERE: Private residence in Pacific Palisades, CA. Address released upon RSVP.

more info: https://www.losangelescamerata.org/seasonevents

 

Saturday, March 25, 2023, 7:00 p.m. Cardiff (San Diego) (repeats Friday, March 24, 2023, 7:00 p.m

Bach Collegium San Diego : J.S. BACH: ST. MATTHEW PASSION

J.S. Bach’s vivid musical account of Christ's passion combines a striking drama and devotion forming a pinnacle of the vocal works composed for the Leipzig churches.

Bach's St. Matthew Passion was written for the Good Friday Vespers service of 1727 at the St Thomas' Church Leipzig and brings together relevant themes of betrayal, judgement, death, and love as expressed through St. Matthew's Gospel and Bach's librettist Picander.

SOLOISTS: Aaron Sheehan, Evangelist , Clara Rottsolk, Soprano , Estelí Gomez, Soprano , Virginia Warnken, Mezzo-Soprano , Jay Carter, Countertenor , Paul Max Tipton (Christus), Bass-Baritone , Enrico Lagasca (Pilatus), Bass-Baritone

Saints Constantine and Helen Greek Orthodox Church 3459 Manchester Ave, Cardiff, CA 92007

more info: https://bachcollegiumsd.org/

SUNDAY, MARCH 26
4:00 pm Los Angeles Baroque: Raiders of the Green Vault. 

For this one hour concert we’ve scoured the musical treasure trove from the Dresden court, which attracted talented musicians from all over Europe. Join us for the extraordinary music of Pisendel, Zelenka, Heinichen and Brescianello, followed by a party with the musicians. LAB's "big band" baroque orchestra is led by artistic director Lindsey Strand-Polyak (violin), with artistic associates Eva Lymenstull (cello), Aki Nishiguchi (oboe) and Mishkar Nunez-Fredell (violin).

FREE but donations welcomed.

St. James Episcopal Church, 1325 Monterey Road, South Pasadena, CA.

To RSVP (optional) and for information call (707) 570-7638 or visit www.losangelesbaroque.org

April 2023

Saturday, April 1st, 3:00-8:30PM

Musica Angelica Baroque Orchestra members: An Afternoon with Bach: Recitals and Lectures

Spend the afternoon in the historic First Congregational Church while enjoying beautiful music and gathering insight to the musical genius of Johann Sebastian Bach. Each performance will be preceded by an introductory lecture by a musicologist or musician.

$100

Bach Festival | An Afternoon with Bach | Recitals and Lectures

First Congregational Church of Los Angeles

520 South Commonwealth Avenue Los Angeles, CA 90020

Spend the afternoon in the historic First Congregational Church while enjoying beautiful music and gathering insight to the musical genius of Johann Sebastian Bach. Each performance will be preceded by an introductory lecture by a musicologist or musician.

3:00 – 3:30 pm    Opening Greetings with Martin Haselböck and Solo Bach Lecture with Andrew Justice

3:30 – 4:00 pm  Solo Bach Recital with Artist-in-Residence YuEun Kim in Sanctuary: Partita in D-Minor for Violin, BWV 1009

4:00 – 4:15 pm    Intermission

4:15 – 4:30 pm    Chamber Music Lecture (speaker TBD)

4:30 – 5:00 pm   Duo Recital in Sanctuary 

Sonata for violin and harpsichord in g-major, bwv 1019

Sonata in g-major for viola da gamba and harpsichord, bwv 1027

Ilia Korol, violin, Alexa Haynes-Pilon, gamba, Abraham Ross, harpsichord

5:00 – 5:15pm    Reception with Coffee and Tea

5:15 – 5:40pm   “Bach’s Musical Language” Lecture with Martin Haselböck in Barnham Room

5:45 – 6:05pm  Trio Recital in Sanctuary

Trio Sonata from the “Musical Offering”, BWV 1079

Stephen Schultz, Traverso, Ilia Korol, Violin, Abraham Ross, Harpsichord, Eva Lymenstull, Violoncello

6:00 – 7:30 pm   Dinner Break 

7:30 – 8:30 pm "The Romantic Bach" Organ Recital with Jeremy Joseph in Sanctuary

First Congregational Church of LA 520 South Commonwealth Avenue Los Angeles, California 90020

more info: https://www.musicaangelica.org/

At this time, First Congregational Church of Los Angeles REQUIRES PROOF OF VACCINATION TO ENTER.  Masks are not required indoors.

SATURDAY, April 1st, 6:00-9:00 PM (Los Angeles)

Jouyssance Early Music Ensemble: A Night of April Foolery

Jouyssance Early Music Ensemble will present a hilarious evening of madrigals, accompanied by fine drink and fare! We will also honor Board Member, Early Music Supporter and Ornithologist Extraordinaire Larry Allen. This a fundraiser.

Wessex Consort provides instrumental backgroud music.

Location: Tam O’Shanter Inn, Los Feliz
Tickets and more info: https://www.jouyssance.org/madrigaldinner?fbclid=IwAR013qAr2IKPDBczvCqAcwvoAZsBWYUNdE4nQyQv7IyrYFEzuGlxKuu-Eic 

Sunday, April 2nd, 3:00-6:00PM

Musica Angelica Baroque Orchestra: St. Matthew Passion (J.S. Bach)

Widely regarded as one of the masterpieces of classical Baroque music, Bach’s St. Matthew Passion weaves voices and orchestra through magnificent oratorios and arias. 

    It is Musica Angelica’s esteemed honor to perform Johann Sebastian Bach’s St. Matthew Passion in the memory of the distinguished Los Angeles philanthropist, Richard Colburn. Mr. Colburn, a longtime supporter of classical music, regularly visited Naarden in the Netherlands and was greatly moved by the Netherlands Bach Society’s performance of St. Matthew Passion, which has taken place on Good Friday annually since 1921. The Colburn Foundation, under the direction of Carol Colburn Grigor, the daughter of Richard Colburn, has provided a special grant for this performance in hopes that the St. Matthew Passion will become an annual tradition in Los Angeles.

   Widely regarded as one of the masterpieces of classical Baroque music, Bach’s St. Matthew Passion weaves voices and orchestra through magnificent oratorios and arias. Year after year, the St. Matthew Passion is still performed in major cathedrals and sold-out concert halls around the world - a testament to the intricate music’s powerful beauty.

   Two Baroque orchestras will perform with a double choir and an award-winning cast of American and European vocal soloists. This thrillingly intense music will soar in the beautiful acoustics of the First Congregational Church to create an unforgettable musical experience.

First Congregational Church of LA 520 South Commonwealth Avenue Los Angeles, California 90020

more info: https://www.musicaangelica.org/

At this time, First Congregational Church of Los Angeles REQUIRES PROOF OF VACCINATION TO ENTER.  Masks are not required indoors.

more info: https://www.musicaangelica.org/

Maundy Thursday April 6, Good Friday April 7, Saturday April 8

Musica Transalpina: Easter Holy Week service concerts

Featuring music never before heard in the United States, we have been granted exclusive access to coronation music that was preserved in a Benedictine abbey in Austria for nearly four hundred years. Our Easter Even programme will feature music by no less than four generations of Habsburg kapellmeisters who wrote for Austrian royalty, namely Giovanni Priuli, Giovanni Valentini, Antonio Bertali, and Giovanni Felice Sances, performed by virtuoso vocalists and an abundance of period instruments.

 

Maundy Thursday, April 6. 1200 noon

Musica Transalpina: Polish composers: Marcin Mielczewski, Mikołaj Zieleński, and Bartłomiej Pękiel:  Missa Triumphalis, Magnificat

We are showcasing sacred music written for the glittering Vasa court in Poland, spectacular compositions from Counterreformation-era Poland, which was awash in cosmopolitan music-making due to the efforts of the very devout and refined King Sigismund III. Vasa, who created one of the most elite musical establishments in all of Europe. King Sigismund III was determined to establish one of the most prestigious chapels royal in Europe as a means to express his piety, refinement, and power. He hired the best composers of the time, including Palestrina’s student Asprilio Pacelli and Gabrieli’s student Giovanni Valentini (who later left for Austria), whose urbane style influenced the next generation of Polish composers. Our performance features an all-Polish programme of music by this aforementioned group of Polish composers: Marcin Mielczewski, Mikołaj Zieleński, and Bartłomiej Pękiel, all written in a flawlessly cosmopolitan idiom meant to assert the international nature of their Catholic identity.

Free: We never charge for our performances: All these programes are made possible by the kindness of our generous benefactors. Thank you for helping us bring classical music of the highest calibre to a wider audience.

parking onsite in large church lot

Ss. Peter and Paul Parish Church, 515 West Opp Street, Wilmington CA 90744.

more info: https://musicatransalpina.org/category/events/upcoming/

 

Good Friday, April 7  1200 noon

Musica Transalpina:: Lassus: St. John Passion, and works by Elam Rotem

We are premiering two works commissioned for our ensemble by world-famous baroque music expert Elam Rotem alongside St. John’s Passion by the Renaissance master Orlando di Lasso. Despite being written by the most widely-published composer of the Renaissance, the St. John Passion was intended for the private Good Friday observances of the ruling House of Wittelsbach in Bavaria, and as such, comes to us in a manuscript (and not printed) source.

Free: We never charge for our performances: All these programes are made possible by the kindness of our generous benefactors. Thank you for helping us bring classical music of the highest calibre to a wider audience.

parking onsite in large church lot

Ss. Peter and Paul Parish Church, 515 West Opp Street, Wilmington CA 90744.

more info: https://musicatransalpina.org/category/events/upcoming/

 

Saturday April 8 1200 noon

Musica Transalpina:: Bertali and Valentini: Missa Sancti Spiritus, Magnificat

Performing music by Venetian composers working at the Habsburg court. Since they were kept so busy with their royal duties, the Habsburg kapellmeisters seldom ever published their music, but we are inestimably fortunate that the Bishops of Olomouc in Moravia and the Benedictines at Kremsmünster Abbey in Austria tirelessly made copies of the priceless compositions that were being written for the Hofkapelle. The highlight of this programme is the first American performance of the Missa Sancti Spiritus by Antonio Bertali, written for the coronation of Holy Roman Emperor Leopold I. in 1659. We are also performing a Magnificat by Bertali’s predecessor, Giovanni Valentini (who was also a student of the famed Giovanni Gabrieli), and a grand Easter motet by Valentini’s predecessor, Giovanni Priuli.

Dinner will be served afterwards to all attendees.

Free: We never charge for our performances: All these programes are made possible by the kindness of our generous benefactors. Thank you for helping us bring classical music of the highest calibre to a wider audience.

parking onsite in large church lot

Ss. Peter and Paul Parish Church, 515 West Opp Street, Wilmington CA 90744.

more info: https://musicatransalpina.org/category/events/upcoming/

April 14, 2023  7:00 pm (repeats April 16 and livestreamed)

USC Thornton Opera and Thornton Symphony : Actéon by Marc-Antoine Charpentier and Glory Denied by Tom Cipullo.

The Charpentier opera is based on Ovid’s story about the punishment and demise of the hunter Actéon at the hands of Diana. The piece is musically fresh and dramatically resonant with relevance to contemporary discussions regarding gender, censorship, and voice.

Cipullo’s Glory Denied is based on the book by Tom Philpott that tells the story of Floyd James “Jim” Thompson who spent 9 years as an American POW in Vietnam. The opera allows us to imagine what Jim and his wife Alice went through, both during his captivity and when facing each other after years apart.

Brent McMunn, Conductor/Music Director, Martina Roos, Stage Director, Sam Lopez, Projections Designer, Christopher Hoffman, Technical Direction, Edina Hiser, Costume Designer Glory Denied, KerriAnne Savastano, Costume Designer Actéon

Reservations Required: Contact uscopera@usc.edu for reservation information.

The show on April 16th will be livestreamed. Find out more at the recording.la/thorntonlive page

ArtShare 801 E. 4th Pl. Los Angeles, CA 90013 (213) 687-4278

more info: https://music.usc.edu/opera/

Saturday, April 15, 2023 7:30 PM 

USC Collegium musicum: "Early Music of Armenia"

Directed by Adam Knight Gilbert and Marina Hovhannisyan

The USC Thornton Collegium Musicum presents: Early and Traditional Music of Armenia. Featuring sacred and secular songs from Sayat-Nova, Komitas, St. Gregory of Narek and guest performers on traditional Armenian instruments.

Cammilleri Hall, Brain and Creativity Institute, USC

parking on campus  entrance from Jefferson, off campus near Vermont and 36th  Pl enter at pedestrian access gate

Admission Free and Open to the Public (masks are strongly recommended indoors)

For all of our events, follow us on Facebook:

https://www.facebook.com/USCEarlyMusic/

and YouTube: www.youtube.com/user/USCEarlyMusic

For more information, contact: earlymusic@usc.edu

For more information, contact Adam Knight Gilbert at akgilber@usc.edu or  (213) 821-6052

April 16, 2023  2:00 pm and livestreamed (repeats April 14)

USC Thornton Opera and Thornton Symphony : Actéon by Marc-Antoine Charpentier and Glory Denied by Tom Cipullo.

The Charpentier opera is based on Ovid’s story about the punishment and demise of the hunter Actéon at the hands of Diana. The piece is musically fresh and dramatically resonant with relevance to contemporary discussions regarding gender, censorship, and voice.

Cipullo’s Glory Denied is based on the book by Tom Philpott that tells the story of Floyd James “Jim” Thompson who spent 9 years as an American POW in Vietnam. The opera allows us to imagine what Jim and his wife Alice went through, both during his captivity and when facing each other after years apart.

Brent McMunn, Conductor/Music Director, Martina Roos, Stage Director, Sam Lopez, Projections Designer, Christopher Hoffman, Technical Direction, Edina Hiser, Costume Designer Glory Denied, KerriAnne Savastano, Costume Designer Actéon

Reservations Required: Contact uscopera@usc.edu for reservation information.

The show on April 16th will be livestreamed. Find out more at the recording.la/thorntonlive page

ArtShare 801 E. 4th Pl. Los Angeles, CA 90013 (213) 687-4278

more info: https://music.usc.edu/opera/

The Charpentier opera is based on Ovid’s story about the punishment and demise of the hunter Actéon at the hands of Diana. The piece is musically fresh and dramatically resonant with relevance to contemporary discussions regarding gender, censorship, and voice.

Cipullo’s Glory Denied is based on the book by Tom Philpott that tells the story of Floyd James “Jim” Thompson who spent 9 years as an American POW in Vietnam. The opera allows us to imagine what Jim and his wife Alice went through, both during his captivity and when facing each other after years apart.

Brent McMunn, Conductor/Music Director, Martina Roos, Stage Director, Sam Lopez, Projections Designer, Christopher Hoffman, Technical Direction, Edina Hiser, Costume Designer Glory Denied, KerriAnne Savastano, Costume Designer Actéon

Reservations Required: Contact uscopera@usc.edu for reservation information.

The show on April 16th will be livestreamed. Find out more at the recording.la/thorntonlive page

ArtShare 801 E. 4th Pl. Los Angeles, CA 90013 (213) 687-4278

more info: https://music.usc.edu/opera/

April 16 2023 3pm lecture, 4pm concert (Whittier)

Whittier College Bach Festival

3 pm: Pre-Concert Lecture on Women of the Baroque by Dr. Teresa LeVelle (Arnold Hall on the Whittier College Campus)

4 pm: Bach Festival Concert, featuring a Barbara Strozzi cantata, a harpsichord suite by Elisabeth Jacquet de la Guerre, and a performance of BWV 108 (libretto by Marianne von Zeigler). Alex Grabarchuk will be singing the Strozzi with Peter Yates accompanying on guitar, and conducting the Bach cantata which will feature our Whittier College Chamber Singers joined by professional soloists and instrumentalists!

Admission is free, and the concert will be followed by a reception with tea & cookies!

Memorial Chapel on the Whittier College Campus

Fri, Apr 21, 2023  movie general release opening

Searchlight Pictures : Chevalier

Inspired by the incredible true story of composer Joseph Bologne, Chevalier de Saint-Georges,the son of an African slave born in the Caribbean , who rose to fame through his musical prodigy as a celebrated violinist-composer, known as the  "Black Mozart", as well as master fencer, Saint-Georges found himself falling down a French society he was once at the top of.  Bologne (Kelvin Harrison Jr. in a tour de force performance) rises to improbable heights in French society, complete with an ill-fated love affair and a falling out with Marie Antoinette (Lucy Boynton) and her court.

Regal Sherman Oaks Galleria and LA city-wide

15301 Ventura Boulevard, Sherman Oaks, CA 91403

Friday, April 21, 2023 1:00 PM 

Prof. Jonathan Gómez : USC MUSICOLOGY FORUM LECTURE: 

“Black Music’s Interstitial Inhabitance.”

Herklotz Seminar Room, Doheny Music Library, USC

Admission Free and Open to the Public(masks are strongly recommended indoors)

For all of our events, follow us on Facebook:

https://www.facebook.com/USCEarlyMusic/

and YouTube: www.youtube.com/user/USCEarlyMusic

For more information, contact: earlymusic@usc.edu

For more information, contact Adam Knight Gilbert at akgilber@usc.edu or  (213) 821-6052

Friday, April 28, 2023 8:00 PM 

Thornton Baroque Sinfonia

Musica Antiqua Polonica IV: Music from Early Modern Poland (in cooperation with the USC Polish Music Center)

Directed by Adam Knight Gilbert and Jason Yoshida

Newman Recital Hall, USC

Admission Free and Open to the Public(masks are strongly recommended indoors)

For all of our events, follow us on Facebook:

https://www.facebook.com/USCEarlyMusic/

and YouTube: www.youtube.com/user/USCEarlyMusic

For more information, contact: earlymusic@usc.edu

For more information, contact Adam Knight Gilbert at akgilber@usc.edu or  (213) 821-6052

SUNDAY, April 30, 2023, 5:00 P.M. (Los Angeles)

The Afro-American Chamber Music Society Orchestra:  CHEVALIER FESTIVAL 2023

This Festival  features music by French Creole virtuoso violinist and composer Chevalier de Saint-Georges (1745–1799); he is gaining notoriety lately and his life and work are featured in a major film release (see April 21 listing).  LA Philharmonic Beckman Fellowship Artist, Sydney Adedamola, violinist will perform CdSG's Violin Concerto in A major, Opus 7 No. 1, and Symphonie Concertante in Bb, Opus 6 No. 2 with Violinists Kyle Gilner & Shigeru Logan, with arias from CdSG's first opera, Ernestine performed by Yolanda Mitchell West. Honoring Mr. Ayuko Babu, Executive Director of the Pan African Film Festival & Mrs. Rosemarie Cook Glover, President of the Southeast Symphony.

First Congregational Church of Los Angeles, 540 S. Commonwealth Avenue, Los Angeles, CA. 

Link for tickets ($25 – $60):  https://www.eventbrite.com/e/chevalier-saint-georges-music-festival-laphil-violinist-sydney-adedamola-tickets-529002018277

May 2023

Friday, May 5, 2023, 7:00 p.m. (repeats Saturday, May 6, 2022, 7:00 p.m.)

Bach Collegium San Diego : BCSD SCORCHERS! THE ORIGINAL GOLDEN OLDIES

Celebrating BCSD's twentieth anniversary season with a scorcher of a program featuring favorite and memorable repertoire performed over the last twenty seasons...how time flies!  Turn up the heat with excerpts from Bach's B minor Mass and Easter Oratorio, to arresting moments from Handel oratorios, by way of glorious Renaissance polyphony, to the sumptuousness of Rameau, plus much more!

All Souls' Episcopal Church 1475 Catalina Blvd, San Diego, CA 92107

more info: https://bachcollegiumsd.org/

 

Friday, May 5, 2023, 7:00 p.m.

Tiburtina Ensemble: Celestial Harmony

To conclude its 40th Anniversary season, the San Diego Early Music is proud to present Tiburtina Ensemble. Tiburtina specializes in plainchant and medieval polyphony, as well as contemporary music. For their San Diego debut, Tiburtina—whose members include San Diego favorite soprano Hana Blažíková—will devote an entire program to Hildegard of Bingen (c. 1098-1179)—the Benedictine abbess, preacher, philosopher, physician, composer, and mystic who arguably ranks as the first “Great Composer.”

St James by-the-Sea, 743 Prospect St, La Jolla, CA 92037

Tickets $10 to $50. For more info: https://www.sdems.org

Saturday, May 6, 2022, 7:00 p.m. (repeats  Friday, May 5, 2023, 7:00 p.m.)

Bach Collegium San Diego : BCSD SCORCHERS! THE ORIGINAL GOLDEN OLDIES

Celebrating BCSD's twentieth anniversary season with a scorcher of a program featuring favorite and memorable repertoire performed over the last twenty seasons...how time flies!  Turn up the heat with excerpts from Bach's B minor Mass and Easter Oratorio, to arresting moments from Handel oratorios, by way of glorious Renaissance polyphony, to the sumptuousness of Rameau, plus much more!

Saints Constantine and Helen Greek Orthodox Church 3459 Manchester Ave, Cardiff, CA 92007

more info: https://bachcollegiumsd.org/

Friday, May 12, 2023, 7:30 pm (Santa Barbara)

(repeats May 12, 14, 16, 18 at various locations)

Camerata Pacifica and Samuel Mariño (male soprano): music of Bach and Pergolesi.

            Camerata Pacifica presents the highly anticipated U.S. debut of acclaimed Venezuelan male soprano Samuel Mariño in a program of Bach and Pergolesi.

Program: Bach’s cantata Non sa che sia dolore, BWV 209, Pergolesi’s exquisite Salve Regina in C Minor. Camerata Pacifica performs John Adams’ exhilarating Shaker Loops.

            Mariño, hailed as “a rarity in opera” (New York Times), describes himself as a true natural male soprano whose voice at puberty only “partially broke".  He explains that he is not a countertenor and doesn’t sing in a falsetto, but rather “my voice is a light lyric soprano, with a bit of coloratura.”  He studied at the Paris Conservatory and with soprano Barbara Bonney. Mariño’s natural musicality and unique vocal talent have set the stage for a career which allows him to perform a wide range of operatic roles in the baroque and classical repertoire. He has received many awards and is featured on four recordings, including his most recent, Sopranista released by Decca in 2022.

For tickets ($68) and information, visit www.cameratapacifica.org.

Music Academy of the West, 1070 Fairway Rd, Santa Barbara, CA 93108

Sunday, May 14, 2023, 3 pm (Thousand Oaks)

(repeats May 12, 14, 16, 18 at various locations)

Camerata Pacifica and Samuel Mariño (male soprano): music of Bach and Pergolesi.

            Camerata Pacifica presents the highly anticipated U.S. debut of acclaimed Venezuelan male soprano Samuel Mariño in a program of Bach and Pergolesi.

Program: Bach’s cantata Non sa che sia dolore, BWV 209, Pergolesi’s exquisite Salve Regina in C Minor. Camerata Pacifica performs John Adams’ exhilarating Shaker Loops.

            Mariño, hailed as “a rarity in opera” (New York Times), describes himself as a true natural male soprano whose voice at puberty only “partially broke".  He explains that he is not a countertenor and doesn’t sing in a falsetto, but rather “my voice is a light lyric soprano, with a bit of coloratura.”  He studied at the Paris Conservatory and with soprano Barbara Bonney. Mariño’s natural musicality and unique vocal talent have set the stage for a career which allows him to perform a wide range of operatic roles in the baroque and classical repertoire. He has received many awards and is featured on four recordings, including his most recent, Sopranista released by Decca in 2022.

For tickets ($68) and information, visit www.cameratapacifica.org.

Scherr Forum Theatre, 2100 E. Thousand Oaks Blvd, Thousand Oaks, CA 91362

 

Tuesday, May 16, 2023, 7:30 pm (San Marino, near Pasadena)

(repeats May 12, 14, 16, 18 at various locations)

Camerata Pacifica and Samuel Mariño (male soprano): music of Bach and Pergolesi.

            Camerata Pacifica presents the highly anticipated U.S. debut of acclaimed Venezuelan male soprano Samuel Mariño in a program of Bach and Pergolesi.

Program: Bach’s cantata Non sa che sia dolore, BWV 209, Pergolesi’s exquisite Salve Regina in C Minor. Camerata Pacifica performs John Adams’ exhilarating Shaker Loops.

            Mariño, hailed as “a rarity in opera” (New York Times), describes himself as a true natural male soprano whose voice at puberty only “partially broke".  He explains that he is not a countertenor and doesn’t sing in a falsetto, but rather “my voice is a light lyric soprano, with a bit of coloratura.”  He studied at the Paris Conservatory and with soprano Barbara Bonney. Mariño’s natural musicality and unique vocal talent have set the stage for a career which allows him to perform a wide range of operatic roles in the baroque and classical repertoire. He has received many awards and is featured on four recordings, including his most recent, Sopranista released by Decca in 2022.

For tickets ($68) and information, visit www.cameratapacifica.org.

The Huntington’s Rothenberg Hall, 1151 Oxford Rd, San Marino, CA 91108

Thursday, May 18 4:30pm – 5:30pm

HKSA Conference: USC Thornton School of Music Early Music Ensemble: Chaconas, Folias, Matachins, Sardanas, and Xacaras in Iberian and Latin American Dance and Song

The Historic Keyboard Society of America, annual Conference concert.

Tickets are $20 General Admission and $10 Students/Seniors. 

No covid restrictions.  Parking at venue or on street.

Information www.hksna.org.

Claremont Graduate University, Albrecht Auditorium, Stauffer Hall of Learning, 925 N. Dartmouth Avenue, Claremont 91711

Thursday, May 18, 7:30 p.m (Claremont)

HKSA Conference: Carol lei Breckenridge, fortepiano - The Silbermann Piano: Music by J.S. Bach, C.P.E. Bach, and Domenico Scarlatti

The Historic Keyboard Society of America, annual Conference concert.

Carol lei will be performing on her brand new Silbermann fortepiano.

Tickets are $20 General Admission and $10 Students/Seniors. 

No covid restrictions.  Parking at venue or on street.

Information www.hksna.org.

Claremont Graduate University, Art & Music Building, Peggy Phelps Gallery, 251 E. 10th Street, Claremont, CA 91711

 

Friday, May 19, 7:00 p.m. (Claremont)

HKSA Conference, Margaret Irwin-Brandon, organ – Toccatas, Tientos, Trumpets & Tango

The Historic Keyboard Society of America, annual Conference concert.

Margaret will be performing on the spectacular Rosales/Glatter-Götz (Opus 2, 1997) organ with 77 ranks, 4,041 pipes, 4 divisions, and 3 manuals.

Tickets are $20 General Admission and $10 Students/Seniors. 

No covid restrictions.  Parking at venue or on street.

Information www.hksna.org.

Claremont United Church of Christ, 233 W. Harrison Avenue, Claremont, CA 91711

Saturday, May 20, 7:30 p.m. (Claremont)

HKSA Conference: Early Music Ensemble of UCLA - Una sañosa porfía: Sounds of Power, Love, and Loss in the Spanish Empire

and Early Music Ensemble of Cal State Long Beach - works by Purcell and Hasse.

The Historic Keyboard Society of America, annual Conference concert.

Tickets are $20 General Admission and $10 Students/Seniors. 

No covid restrictions.  Parking at venue or on street.

Information www.hksna.org.

Claremont Graduate University, Albrecht Auditorium, Stauffer Hall of Learning, 925 N. Dartmouth Avenue, Claremont, CA 91711
 

Saturday May 20th at 7:30pm (repeats Sunday May 21st) (Costa Mesa)

Long Beach Opera and Martha Graham Dance Company and Tesserae Baroque: The Feast, music by  George Frederic Handel

            In its first collaboration with the Martha Graham Dance Company, LBO presents THE FEAST, a dance ritual and baroque banquet. James Darrah re-invents the baroque pastiche using vocal and instrumental music from several of Handel’s operas, including the seldom-heard ‘Alessandro,’ to create a literal and figurative feast.

            THE FEAST features superstar Polish countertenor Jakub Józef Orlinski, who makes his Southern California staged debut in this evening of Handel’s music presented with early music chamber orchestra accompaniment provided by Tesserae Baroque. “Orlinski is the real countertenor deal, one of the best I’ve heard on the operatic (or any other) stage: an exceptional legato, no loss of power in the lower reaches, attentive diction, superb histrionic flair. He has, in short, raised the bar decisively for what we can expect of this voice type in this repertory.” —Roger Parker

            Orlinski will sing and even dance with the Martha Graham Dance Company for the first time. The Graham Company will be working to activate a unique location with choreography that pays homage to Graham’s own deep sense of Greek ritual, mythology, and the sacred power of dance and early music to enchant and enthrall.

            Following an introduction of cocktails and activated performance spaces, audiences will be led by the Graham Company to a beautiful space where they will continue drinking and feasting to live music and dance performances that envelop and disrupt the banquet’s proceedings in surprising ways.

            Banquet seating is seating at the communal feast tables and includes food and beverage. Standard seating is standard chair seating and does not include food and beverage.

*Please note: If you require ADA accessible seating, please contact the box office by emailing boxoffice@longbeachopera.org or by calling (562) 470-7464.

tickets: $89-$165

info: https://www.longbeachopera.org/the-feast

Noguchi Gardens and Samueli Theater, 611 Anton Blvd, Costa Mesa, CA 92626

May 20, 7:30 PM – 9:30 PM

(repeats May 20, May 21, May 24, May 26, May 27, May 28, June 2)

Kontrapunktus :THE BEGOTTEN SON: Carl Philipp Emanuel Bach

As second of five surviving sons, Emanuel Bach (as he was known) embarked on an unusual journey to overcome the prodigious shadow of his father, Johann Sebastian Bach. He was personally trained in music by his father, Phillip Emanuel, and obtained an appointment as the harpsichordist in Frederick the Great’s royal orchestra in 1738. He spent the next 50 years of his life establishing an impeccable reputation of his own as an accomplished composer, music theorist who wrote the first important treatise on keyboard playing, and mentored scores of Classical giants such as Mozart and Haydn. In fact, when asked about C.P.E. Bach, Mozart famously noted that “He is the father, we’re the children.”  However, he never escaped the omnipresent legacy of his own father and, consequently, his music became forgotten over time. Our musical offering focuses on C.P.E. Bach’s Berlin years and features:

Symphony in G Major, H. 648, Wq. 173

Trio Sonata in A Minor, H. 572, Wq. 148

Harpsichord Concerto in E Minor, H.418, Wq. 15

Cello Concerto No. 3 in A Major, H.439 Wq. 172

Tickets: $20-$25

more info: www.kontrapunktus.com

Culver City Seventh-Day Adventist Church, 11828 W Washington Blvd, Los Angeles, 90066,

 

Saturday, May 20, 2023, 5:00 pm

Pacific Chorale and Pacific Symphony : Haydn’s  Missa in Angustiis (Mass in Time of Anxiety) “Nelson Mass” and Abraham Lincoln Walks at Midnight

            Haydn’s masterpiece Missa in Angustiis (Mass in Time of Anxiety) “Nelson Mass,” composed in 1798, at a time of tremendous turmoil when the citizens of Austria feared defeat by Napoleon’s troops. Pacific Chorale members Betty Feinblatt, mezzo-soprano, and Nick Preston, tenor, will also be featured soloists alongside Moore and Sumuel. Immediately following the concert, the Chorale will host its annual Gala to celebrate and benefit its upcoming European tour.

concert tickets ($26 - $142)

Renée and Henry Segerstrom Concert Hall Segerstrom Center for the Arts 600 Town Center Drive Costa Mesa, CA 92626

and information, visit www.pacificchorale.org or call 714-662-2345. 

Sunday May 21st  at 7:30pm (repeats Saturday May 20th) (Costa Mesa)

Long Beach Opera and Martha Graham Dance Company and Tesserae Baroque: The Feast, music by  George Frederic Handel

            In its first collaboration with the Martha Graham Dance Company, LBO presents THE FEAST, a dance ritual and baroque banquet. James Darrah re-invents the baroque pastiche using vocal and instrumental music from several of Handel’s operas, including the seldom-heard ‘Alessandro,’ to create a literal and figurative feast.

            THE FEAST features superstar Polish countertenor Jakub Józef Orlinski, who makes his Southern California staged debut in this evening of Handel’s music presented with early music chamber orchestra accompaniment provided by Tesserae Baroque. “Orlinski is the real countertenor deal, one of the best I’ve heard on the operatic (or any other) stage: an exceptional legato, no loss of power in the lower reaches, attentive diction, superb histrionic flair. He has, in short, raised the bar decisively for what we can expect of this voice type in this repertory.” —Roger Parker

            Orlinski will sing and even dance with the Martha Graham Dance Company for the first time. The Graham Company will be working to activate a unique location with choreography that pays homage to Graham’s own deep sense of Greek ritual, mythology, and the sacred power of dance and early music to enchant and enthrall.

            Following an introduction of cocktails and activated performance spaces, audiences will be led by the Graham Company to a beautiful space where they will continue drinking and feasting to live music and dance performances that envelop and disrupt the banquet’s proceedings in surprising ways.

            Banquet seating is seating at the communal feast tables and includes food and beverage. Standard seating is standard chair seating and does not include food and beverage.

*Please note: If you require ADA accessible seating, please contact the box office by emailing boxoffice@longbeachopera.org or by calling (562) 470-7464.

tickets: $89-$165

info: https://www.longbeachopera.org/the-feast

Noguchi Gardens and Samueli Theater, 611 Anton Blvd, Costa Mesa, CA 92626

May 21, 7:30 PM – 9:30 PM

(repeats May 20, May 21, May 24, May 26, May 27, May 28, June 2)

Kontrapunktus :THE BEGOTTEN SON: Carl Philipp Emanuel Bach

As second of five surviving sons, Emanuel Bach (as he was known) embarked on an unusual journey to overcome the prodigious shadow of his father, Johann Sebastian Bach. He was personally trained in music by his father, Phillip Emanuel, and obtained an appointment as the harpsichordist in Frederick the Great’s royal orchestra in 1738. He spent the next 50 years of his life establishing an impeccable reputation of his own as an accomplished composer, music theorist who wrote the first important treatise on keyboard playing, and mentored scores of Classical giants such as Mozart and Haydn. In fact, when asked about C.P.E. Bach, Mozart famously noted that “He is the father, we’re the children.”  However, he never escaped the omnipresent legacy of his own father and, consequently, his music became forgotten over time. Our musical offering focuses on C.P.E. Bach’s Berlin years and features:

Symphony in G Major, H. 648, Wq. 173

Trio Sonata in A Minor, H. 572, Wq. 148

Harpsichord Concerto in E Minor, H.418, Wq. 15

Cello Concerto No. 3 in A Major, H.439 Wq. 172

Tickets: $20-$25

more info: www.kontrapunktus.com

St. Andrew's Catholic Church, 311 N Raymond Ave, Pasadena, CA 91103, USA

 

Sunday, May 21, 2023, 5:00 pm - 7:00 pm   

Tesserae Baroque: Baroque Music of Mexico City Cathedral

Renowned leader of Bach Collegium San Diego Ruben Valenzuela directs Tesserae Baroque in a program of popular pieces performed in Mexico City Cathedral during the Baroque period. The performance will include Victoria’s Missa ‘Ave regina coelorum’ — a piece so popular in Mexico City that the partbooks had to be recopied — in addition to works by Franco, Capillas, and Guerrero.

Tickets: $35/$25/$15 Free admission for children and members of the Music Guild.

Masks or proof of vaccination are currently not required for indoor events in Los Angeles County. For those who wish to be seated in an area with additional spacing and a mask requirement, please reach out to alex@tesseraebaroque.org.

All Saints’ Episcopal Church, Beverly Hills 504 North Camden Drive Beverly Hills, CA 90210

more info:     www.tesseraebaroque.org      

May 21 at 6:00 pm  live and streamed (Mid-Wilshire district, Los Angeles)

Ciaramella Early Music Ensemble: Grounds and Airs for Spring

Great Music at St. James presents Ciaramella Early Music Ensemble  performing a program of English and Italian grounds, airs, and songs to welcome Spring, featuring songs by Henry Purcell, John Blow, and Claudio Monteverdi, with a healthy dose of country dances and variations. 

Adam Knight Gilbert, recorder, shawm, bagpipe, Aki Nishiguchi, recorder, shawm, Malachai Bandy, viola da gamba, bagpipe, Jason Yoshida, lute, guitar, theorbo, Jennifer Kampani, soprano

FREE

Streamed live at concert time at www.greatmusicla.org, available on YouTube thereafter

(search YouTube “Ciaramella on Classical Sundays at Six”)

Free parking at 3926 Wilshire

more info: www.greatmusicla.org , 213 590 0881

St. James Church 3903 Wilshire Blvd.

A special concert presented by SCEMS:
Tuesday May 23, 2023 8:00 pm
Simone Vallerotonda (Baroque lute)

   Simone Vallerotonda explores the metaphysical and sensual world of seventeenth-century French lute music. The result is Méditation : four suites in four different keys, each associated with a season and with one of the four ‘humours’ (melancholic/autumn, sanguine/spring, phlegmatic/winter, choleric/summer) that were said to characterise human beings in their temperament and physical traits. An anatomy of the human soul, passing from the rarefied and reflective atmosphere of Charles Mouton’s prélude non mesuré through Jacques Gallot’s dizzying rondeaux , Valentin Strobel’s skipping, exotic canaries, the eulogies of Robert de Visée’s tombeaux, where the notes resonate like prayers and tears for the deceased, to the bizarre, asymmetrical courantes of Dubut le Père. A journey at the conclusion of which we find human beings described in their different and contrasting passions by means of music – music whose colours, though centuries old, portray them with extraordinary modernity.

   The program contains lute works by Charles Mouton, Robert de Visée, Jacques Gallot, Jean-Philippe Rameau, François Couperin.

   Simone Vallerotonda is professor of Lute at the Italian Conservatory of Music "A. Pedrollo" in Vicenza, Italy. His most recent album is Méditation: Les quatre saisons du luth (Arcana/Outhere Music, January 2022). Trailer: https://youtu.be/8lRvcxuiBzg 

This concert is presented by SCEMS in cooperation with the Italian Cultural Institute of Los Angeles and CIDIM (Comitato Nazionale Italiano Musica).

FREE, donations to SCEMS accepted

St. Bedes Episcopal church, 3590 Grand View Blvd, Los Angeles, CA

ample parking in the church lot and street

Wednesday May 24, 8:00 PM – 10:00 PM

(repeats May 20, May 21, May 24, May 26, May 27, May 28, June 2)

Kontrapunktus :THE BEGOTTEN SON: Carl Philipp Emanuel Bach

As second of five surviving sons, Emanuel Bach (as he was known) embarked on an unusual journey to overcome the prodigious shadow of his father, Johann Sebastian Bach. He was personally trained in music by his father, Phillip Emanuel, and obtained an appointment as the harpsichordist in Frederick the Great’s royal orchestra in 1738. He spent the next 50 years of his life establishing an impeccable reputation of his own as an accomplished composer, music theorist who wrote the first important treatise on keyboard playing, and mentored scores of Classical giants such as Mozart and Haydn. In fact, when asked about C.P.E. Bach, Mozart famously noted that “He is the father, we’re the children.”  However, he never escaped the omnipresent legacy of his own father and, consequently, his music became forgotten over time. Our musical offering focuses on C.P.E. Bach’s Berlin years and features:

Symphony in G Major, H. 648, Wq. 173

Trio Sonata in A Minor, H. 572, Wq. 148

Harpsichord Concerto in E Minor, H.418, Wq. 15

Cello Concerto No. 3 in A Major, H.439 Wq. 172

Tickets: $20-$25

more info: www.kontrapunktus.com

CSUDH University Theatre, 1000 E Victoria St, Carson, CA 90747, USA

 

Thursday, May 25, 2023, 7:30 pm

Jeffrey Kahane (piano):Bach’s Goldberg Variations

            The Wallis presents pianist Jeffrey Kahane, recognized around the world for his mastery of a diverse repertoire ranging from Bach and Mozart to the music of our time. Kahane, who is equally at home on the podium, served as Music Director of the Los Angeles Chamber Orchestra for 20 years and has appeared as a soloist with such major orchestras as the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra and the Chicago and San Francisco symphonies.

Tickets: $39-$99 (prices subject to change)

Wallis Annenberg Center for the Performing Arts 9390 N. Santa Monica Boulevard Beverly Hills, CA 90210

more info: TheWallis.org.

May 26, 8:00 PM – 10:00 PM

(repeats May 20, May 21, May 24, May 26, May 27, May 28, June 2)

Kontrapunktus :THE BEGOTTEN SON: Carl Philipp Emanuel Bach

As second of five surviving sons, Emanuel Bach (as he was known) embarked on an unusual journey to overcome the prodigious shadow of his father, Johann Sebastian Bach. He was personally trained in music by his father, Phillip Emanuel, and obtained an appointment as the harpsichordist in Frederick the Great’s royal orchestra in 1738. He spent the next 50 years of his life establishing an impeccable reputation of his own as an accomplished composer, music theorist who wrote the first important treatise on keyboard playing, and mentored scores of Classical giants such as Mozart and Haydn. In fact, when asked about C.P.E. Bach, Mozart famously noted that “He is the father, we’re the children.”  However, he never escaped the omnipresent legacy of his own father and, consequently, his music became forgotten over time. Our musical offering focuses on C.P.E. Bach’s Berlin years and features:

Symphony in G Major, H. 648, Wq. 173

Trio Sonata in A Minor, H. 572, Wq. 148

Harpsichord Concerto in E Minor, H.418, Wq. 15

Cello Concerto No. 3 in A Major, H.439 Wq. 172

Tickets: $20-$25

more info: www.kontrapunktus.com

El Camino College Campus Theatre, 16007 Crenshaw Blvd, Torrance, CA 90506,

May 27, 7:30 PM – 9:30 PM

(repeats May 20, May 21, May 24, May 26, May 27, May 28, June 2)

Kontrapunktus :THE BEGOTTEN SON: Carl Philipp Emanuel Bach

As second of five surviving sons, Emanuel Bach (as he was known) embarked on an unusual journey to overcome the prodigious shadow of his father, Johann Sebastian Bach. He was personally trained in music by his father, Phillip Emanuel, and obtained an appointment as the harpsichordist in Frederick the Great’s royal orchestra in 1738. He spent the next 50 years of his life establishing an impeccable reputation of his own as an accomplished composer, music theorist who wrote the first important treatise on keyboard playing, and mentored scores of Classical giants such as Mozart and Haydn. In fact, when asked about C.P.E. Bach, Mozart famously noted that “He is the father, we’re the children.”  However, he never escaped the omnpresent legacy of his own father and, consequently, his music became forgotten over time. Our musical offering focuses on C.P.E. Bach’s Berlin years and features:

Symphony in G Major, H. 648, Wq. 173

Trio Sonata in A Minor, H. 572, Wq. 148

Harpsichord Concerto in E Minor, H.418, Wq. 15

Cello Concerto No. 3 in A Major, H.439 Wq. 172

Tickets: $20-$25

more info: www.kontrapunktus.com

Our Lady Queen of Angels Catholic Church, 2046 Mar Vista Dr, Newport Beach, 92660,

Sunday May 28th at 4:00pm (Pasadena)

Tesserae Baroque : Early Music as Arts & Crafts: Exploring the Dolmetsch Heritage

            Tesserae Baroque joins forces with The Gamble House to present a musical event that explores the link between the Early Music movement and the Arts and Crafts architectural movement, focusing on the pioneering work of Arnold Dolmetsch. Dolmetsch, who was admired by William Morris, was both a performer and instrument restorer and maker, and, as an early champion of 'authentic' performances of early music, one of the first people in Britain to build copies of historic instruments. His life and work is in fact perfectly representative of the aesthetics and ethos of the Arts and Craft movement, as is the Gamble House.

Tickets: $35 Tickets are available at www.gamblehouse.org

Tickets must be purchased in advance. They will not be available at the door.

wwww.tesseraebaroque.org

The Gamble House, Pasadena

May 28, 7:30 PM – 9:30 PM

(repeats May 20, May 21, May 24, May 26, May 27, May 28, June 2)

Kontrapunktus :THE BEGOTTEN SON: Carl Philipp Emanuel Bach

As second of five surviving sons, Emanuel Bach (as he was known) embarked on an unusual journey to overcome the prodigious shadow of his father, Johann Sebastian Bach. He was personally trained in music by his father, Phillip Emanuel, and obtained an appointment as the harpsichordist in Frederick the Great’s royal orchestra in 1738. He spent the next 50 years of his life establishing an impeccable reputation of his own as an accomplished composer, music theorist who wrote the first important treatise on keyboard playing, and mentored scores of Classical giants such as Mozart and Haydn. In fact, when asked about C.P.E. Bach, Mozart famously noted that “He is the father, we’re the children.”  However, he never escaped the omnipresent legacy of his own father and, consequently, his music became forgotten over time. Our musical offering focuses on C.P.E. Bach’s Berlin years and features:

Symphony in G Major, H. 648, Wq. 173

Trio Sonata in A Minor, H. 572, Wq. 148

Harpsichord Concerto in E Minor, H.418, Wq. 15

Cello Concerto No. 3 in A Major, H.439 Wq. 172

Tickets: $20-$25

more info: www.kontrapunktus.com

Westwood United Methodist Church, 10497 Wilshire Blvd, Los Angeles, CA 90024

June 2023

Jun 02, 8:00 PM – 10:00 PM

(repeats May 20, May 21, May 24, May 26, May 27, May 28, June 2)

Kontrapunktus :THE BEGOTTEN SON: Carl Philipp Emanuel Bach

As second of five surviving sons, Emanuel Bach (as he was known) embarked on an unusual journey to overcome the prodigious shadow of his father, Johann Sebastian Bach. He was personally trained in music by his father, Phillip Emanuel, and obtained an appointment as the harpsichordist in Frederick the Great’s royal orchestra in 1738. He spent the next 50 years of his life establishing an impeccable reputation of his own as an accomplished composer, music theorist who wrote the first important treatise on keyboard playing, and mentored scores of Classical giants such as Mozart and Haydn. In fact, when asked about C.P.E. Bach, Mozart famously noted that “He is the father, we’re the children.”  However, he never escaped the omnipresent legacy of his own father and, consequently, his music became forgotten over time. Our musical offering focuses on C.P.E. Bach’s Berlin years and features:

Symphony in G Major, H. 648, Wq. 173

Trio Sonata in A Minor, H. 572, Wq. 148

Harpsichord Concerto in E Minor, H.418, Wq. 15

Cello Concerto No. 3 in A Major, H.439 Wq. 172

Tickets: $20-$25

more info: www.kontrapunktus.com

Grace First Presbyterian Church, 3955 N Studebaker Rd, Long Beach, CA 90808,

 

Saturday, June 3, 8 p.m. (repeats June 4) (Mar Vista, West LA)

Jouyssance Early Music Ensemble: Hidden Voices

            Hidden Voices will showcase medieval and Renaissance works by composers reflecting a wide diversity of backgrounds.    The singers have been enthralled by the beauty of the "secret music" of 16th century cloistered Italian nuns, the sophisticated, joyful motets and villancicos of the first Mexican composers, and the gorgeous works by theorist Vicente Lusitano -- the first published composer of African heritage -- that show influences of Josquin and Mouton. Join us!  You may discover your new favorite composer!

Tickets: $25 General Admission; $20 Seniors and SCEMS members; $10 Students; ACDA MEMBERS AND THEIR STUDENTS WITH I.D. WILL BE GRANTED FREE ADMISSION TO BOTH CONCERTS!

St. Bede's Episcopal Church, 3590 Grand View Blvd., Mar Vista

June 3, 2023 at 4 pm

Los Angeles Baroque: The Other B.T.S (Bach, Telemann, Scarlatti)

L.A.’s community baroque orchestra presents: The Other B.T.S.*!No, we’re not talking about the smash sensations from South Korea...It’s *Bach, Telemann and Scarlatti time! We’re exploring some of the most satisfying orchestral suites by composers whoknew a thing or two about writing them. Join us for our 7th Season closer, including Bach’s Orchestral Suite No. 2 (aka The Flute Suite aka Badinerie) and Telemann’s E Minor Tafelmusik. Directed by Lindsey Strand-PolyakSaturday,

free admission but donations welcomed.The concert is followed by a party with the musicians.

learn more at losangelesbaroque.org #earlymusicLAB

St James’ Episcopal Church, 1325 Monterey Rd, South Pasadena, CA

Sunday, June 4, 4 p.m. (repeats June 3) (Monrovia)

Jouyssance Early Music Ensemble: Hidden Voices

            Hidden Voices will showcase medieval and Renaissance works by composers reflecting a wide diversity of backgrounds.    The singers have been enthralled by the beauty of the "secret music" of 16th century cloistered Italian nuns, the sophisticated, joyful motets and villancicos of the first Mexican composers, and the gorgeous works by theorist Vicente Lusitano -- the first published composer of African heritage -- that show influences of Josquin and Mouton. Join us!  You may discover your new favorite composer!

Tickets: $25 General Admission; $20 Seniors and SCEMS members; $10 Students; ACDA MEMBERS AND THEIR STUDENTS WITH I.D. WILL BE GRANTED FREE ADMISSION TO BOTH CONCERTS!

St. Luke's Episcopal Church, 122 S. California Ave., Monrovia

Tuesday, June 6th, 8:00PM (UCLA, Los Angeles), live and live-stream

UCLA Early Music Ensemble presents: The Voyage of St. Ursula and her 11,000 Virgins

Directed by: Dr. Marylin Winkle ; Assisted by: Ela Kodzas

This program depicts the martyrdom of Ursula and her 11,000 maidens. We will peer through numerous lenses: time, space, gender, class... What was this woman's story? How did women tell it? How did men tell it? How did Germans/Italians/French people tell it? Is it possible to know the "truth," and if so, what does that sound like? How does sound tell a story? Audiences will hear music on period instruments from the Middle Ages through the Baroque. Composers include: Hildegard von Bingen, Erasmus Widmann, Johann Hermann Schein, Alessandro Scarlatti, and various contributors to the 18th Century Ursuline Manuscript of New Orleans.

FREE ADMISSION

UCLA, Schoenberg Music Building, (southwest corner):

 Ostin Music Center, Ostin Ensemble Room 110A

445 Charles E Young Dr E, Los Angeles, CA 90095

located next to Ostin Music Cafe , next to the "inverted" fountain,

parking in P2 off Hilgard at Westholm

Live-stream link (click on Ensemble Room tab): https://schoolofmusic.ucla.edu/school-of-music-live-streams/

June 18-25

The Baroque Music Festival, Corona del Mar:

A Bach Kaleidoscope: The Master from Many Angles

This 43rd summer season is directed by the inimitable Baroque violinist Elizabeth Blumenstock.

 

Sunday June 18, 4:00 PM

The Baroque Music Festival, Corona del Mar:

A Bach Kaleidoscope: The Master from Many Angles:

Concertos for Many!

Soloists from the Festival Orchestra in Bach’s triple concerto for flute, violin and harpsichord, BWV 1044; Telemann’s for three oboes and three violins; Vivaldi’s for three violins; and more. Plus, Bach’s Orchestral Suite No. 1 in its first-ever performance at this Festival.  More Information

Tickets: $50

more information https://bmf-cdm.org/2023-programs/

St Mark's Presbyterian Church, Newport Beach

 

Monday June 19, 7:30 PM Note, new—earlier—start time.

The Baroque Music Festival, Corona del Mar:

A Bach Kaleidoscope: The Master from Many Angles:

A Bach Flute Recital: Stephen Schultz & Friends

Stephen Schultz (flute) and Corey Jamason (harpsichord) with a guest appearance by Elizabeth Blumenstock (violin) in a program of Bach, Telemann and Boismortier, including Bach’s flute sonatas in E-flat Major, BWV 1031, and A Major, BWV 1032. 

Tickets: $45

more information https://bmf-cdm.org/2023-programs/

St Michael & All Angels Episcopal Church, Corona del Mar

 

Wednesday June 21, 7:30 PM Note: new—earlier—start time.

The Baroque Music Festival, Corona del Mar:

A Bach Kaleidoscope: The Master from Many Angles

Flattery, Fugues & Frivolities

Elizabeth Blumenstock and Jolianne Einem (violin), Rob Diggins (viola), Eva Lymenstull (cello) and Corey Jamason (harpsichord) present selections from Bach’s The Art of Fugue, music by PDQ Bach, Telemann’s Gulliver’s Travels, and other works.

Tickets: $55 — includes 6:45pm access to the Gardens, 45 minutes before the concert.

more information https://bmf-cdm.org/2023-programs/ 

Sherman Library and Gardens, Corona del Mar

 

Friday June 23, 7:30 PM Note: new—earlier—start time.

The Baroque Music Festival, Corona del Mar:

A Bach Kaleidoscope: The Master from Many Angles

Bach the Indestructible

Lara Wickes (oboe), Michael Kaufman and Stella Cho (cello), Ian Pritchard (harpsichord) and strings join Blumenstock for ingenious arrangements of the Chaconne in D Minor, BWV 1004; 2- and 3-Part Inventions; the famous Prelude, BWV 846; the Italian Concerto, BWV 971; and more.

Tickets: $55 — includes 6:45pm access to the Gardens, 45 minutes before the concert.

more information https://bmf-cdm.org/2023-programs/

Sherman Library and Gardens, Corona del Mar

 

Sunday June 25, 4:00 PM

The Baroque Music Festival, Corona del Mar:

A Bach Kaleidoscope: The Master from Many Angles

Festival Finale: Darkness & Light

Soprano Jennifer Ellis Kampani, countertenor Jay Carter, tenor Jacob Perry, baritone Mischa Bouvier and the Festival Orchestra directed by Elizabeth Blumenstock, in cantatas BWV 106 (Actus Tragicus) and BWV 97, plus pieces by Bach, Buxtehude, Bernard, and Johann Christoph Bach. 

Tickets: $50

more information https://bmf-cdm.org/2023-programs/

St Mark's Presbyterian Church, Newport Beach

Sunday June 25,  4:00pm

Lilia Ensemble: Life Cycles

Please join Lilia Ensemble for a concert of Early and modern works for trio voices centered around themes of life and death. Pieces by Lassus, Clemens non Papa, Isaac, de Rore, Aichinger, Monteverdi, and Morley will be featured, accompanied by modern works inspired by the shape-note singing tradition. Taryn Spink on hurdy-gurdy will also present several solo works. Performers: Soo Bin Kwon (soprano), Elizabeth Laughton (mezzo-soprano), Rebecca Russell (mezzo-soprano), Taryn Spink (hurdy-gurdy).

FREE
First Baptist Church Glendale, 209 N Louise St, Glendale, CA 91206

free parking for church attendees in adjacent lots

more info: firstbaptistglendale.org, elaughton@gmail.com

Conducted by Thomas Axworthy.  Tenor Steve Padilla will accompany LARO singing Spanish Renaissance Villancicos and the Ensalada El Fuego by Mateo Flecha.  A Sonata by Vivaldi and The 4 Seasons Plus 1 by contemporary composer Allan Rosenheck will round out the concert.

Free, donations appreciatemore info: larohome.org, Thomas Axworthy (Music Director) 562-773-2265

LARO is a 501(c) 3 non-profit organization, and donations are tax-deductible to the full extent provided by law

St Andrew’s Episcopal Church, 1231 E Chapman Ave, Fullerton, CA 92831, saintandrewsfullerton.com

July 2023

August 2023

Sunday, August 13 - Please arrive by 2:30 pm, concert begins at 3 pm

Lilia Ensemble : LIFE CYCLES

Please join Lilia Ensemble for a concert of Early and modern works for trio voices centered around themes of life and death. Pieces by Lassus, Clemens non Papa, Isaac, de Rore, Aichinger, Monteverdi, and Morley will be featured, accompanied by modern works inspired by the shape-note singing tradition. Performers: Soo Bin Kwon (soprano), Elizabeth Laughton (mezzo-soprano), Rebecca Russell (mezzo-soprano).

This event will be a house concert, with refreshments served.

This concert is hosted through Groupmuse. Please RSVP through this link (even if you already sent elaughton@gmail.com an RSVP):  GroupMuse Link

https://www.groupmuse.com/events/13506-life-cycles-please-join-lilia-ensemble-for-a-concert-of-early-and-modern-works-for-trio-voices-centered-around-themes-of-life-and-death

Groupmuse has a small donation ($5) associated with making a reservation, additional donations for the musicians are optional. 

Please feel free to BYOB/snacks, but refreshments will be provided. 

11300 Rudman Drive, Culver City, CA 90230

Street parking available

 

Sunday, August 27 2023  at 3 P. M.

Musica Transalpina: Colossal Baroque: Monumental compositions from 17th-Century Salzburg

Musica Transalpina  is a new, professional ensemble dedicated to baroque sacred music.

This inaugural concert features large-scale choral works in the so-called style by Muffat, Biber, Kerll, and Megerle which are seldom ever performed in America.  These towering compositions are scored for enormous vocal and instrumental forces, including Muffat’s only surviving vocal work, his “Missa in labore requies” written in 25 parts distributed across five (5) separate choirs.

Musica Transalpina is a professional vocal & period instrument ensemble dedicated to the research & historically-informed performance of baroque liturgical music.  Musica Transalpina is incorporated as a 501 (c) (3) not-for-profit corporation, and all donations are wholly tax-deductible. 

Suggested Donations: $40 • $60 •$80

Tickets may be reserved at Colossal.brownpapertickets.com

We are committed to making this performance affordable to all.  The above ticket prices are merely guidelines, but you may pay as much as you like –– please contact us directly at Admin@MusicaTransalpina.org

to reserve your spot at a price that works for you.

St. Mark’s church 2200 San Joaquin Hills Road Newport Beach, CA 92660

 

Monday August 28, 7PM (in Wilmington)

Repeat performance of the following fantastic ensemble and composition (as part of the church mass): it is a new high bar for early music in Los Angeles, come  hear 25 musicians including 5 baroque trumpets as one of 5 choirs, including  5 piece cornetto/sackbut choir, 8 vocalists, and and a fantastic continuo section, performing Muffat's Mass. FREE. Wonderful acoustics!

Ss. Peter & Paul church, ample church lot parking

515 W. Opp St. Wilmington CA 90744

Musica Transalpina: Colossal Baroque: Monumental compositions from 17th-Century Salzburg

Musica Transalpina  is a new, professional ensemble dedicated to baroque sacred music.

This inaugural concert features large-scale choral works in the so-called style by Muffat, Biber, Kerll, and Megerle which are seldom ever performed in America.  These towering compositions are scored for enormous vocal and instrumental forces, including Muffat’s only surviving vocal work, his “Missa in labore requies” written in 25 parts distributed across five (5) separate choirs.

Musica Transalpina is a professional vocal & period instrument ensemble dedicated to the research & historically-informed performance of baroque liturgical music.  Musica Transalpina is incorporated as a 501 (c) (3) not-for-profit corporation, and all donations are wholly tax-deductible.


 

September 2023

Saturday September 30th, 4:00 pm (arrive after 3:30)

Baroque Bliss: Arcadian Delights - a fête galante pastoral garden party

            The sensibility “French baroque pastorale” referred to a meeting place of the imagination and natural environment in order to perfect one’s material and spiritual existence; to distill the core of nature’s beauty while simultaneously attempting to discard it’s outer, chaotic exterior.

This concert will evoke a fête galante, a pastoral garden party. In the court of Louis XIV, such divertissements kept the King’s courtiers entertained, a safeguard against them revolution-plotting.

Part 1 will be performed in the garden on quintessential pastoral instruments - musette (French baroque bagpipe) and vielle à roue (French baroque hurdy gurdy), performed on original restored 18th C instruments, and Part 2 of pastoral chamber music will be performed in the house.

Featuring Marischka Hopcroft (director, French harpsichord), Bruce Teter (musette, recorders), Curtis Berak (vielle à roue), Marylin Winkle (viola da gamba), Carolyn Beck (Baroque bassoon), Mark Walter (recorders, percussion), and Lewis Johnson (bass-baritone voice).

Suggested donation $20, but no one will be turned away for lack of funds.

Seating is limited, so please RSVP to either bteter@ucla.edu

or RSVP to Groupmuse ($5 fee) through this Groupmuse link :

https://www.groupmuse.com/events/13537-arcadian-delights-fete-galante-a-pastoral-garden-party/reservations/new

12426 Havelock Ave, Los Angeles, CA, 90066. Ample street parking

Sat, Sep 23, 2023 7:30 PM - 9:30 PM

Musica Angelica Baroque Orchestra: The Bach Boys          

The surname Bach can refer to around twenty different accomplished musicians of the seventeenth and eighteenth centuries, responsible for good vibrations from Leipzig to London and beyond. Johann Sebastian’s first wife Maria Barbara (not Ann) bore Wilhelm Friedemann and Carl Philipp Emanuel, respectively their father’s favorite and most musically accomplished sons. Their talents are on full display in the selections performed at this family gathering.

Program: Suite in E minor, Johann Bernhard Bach, Violin Concerto E-Major BWV 1042, Johann Sebastian Bach, Harpsichord Concerto D-Minor, Wq. 23, H. 427, C. P. E. Bach, Flute Concerto D-Major BR-WFB C 15, Wilhelm Friedemann Bach, Triple Concerto BWV 1044, J. S. Bach

Beverly O'Neill Theater 300 East Ocean Boulevard  Long Beach, California 90802

more info: https://www.musicaangelica.org/concerts-tickets/

 

Sun, Sep 24, 2023 3:00 PM - 5:00 PM

Musica Angelica Baroque Orchestra: The Bach Boys          

The surname Bach can refer to around twenty different accomplished musicians of the seventeenth and eighteenth centuries, responsible for good vibrations from Leipzig to London and beyond. Johann Sebastian’s first wife Maria Barbara (not Ann) bore Wilhelm Friedemann and Carl Philipp Emanuel, respectively their father’s favorite and most musically accomplished sons. Their talents are on full display in the selections performed at this family gathering.

Program: Suite in E minor, Johann Bernhard Bach, Violin Concerto E-Major BWV 1042, Johann Sebastian Bach, Harpsichord Concerto D-Minor, Wq. 23, H. 427, C. P. E. Bach, Flute Concerto D-Major BR-WFB C 15, Wilhelm Friedemann Bach, Triple Concerto BWV 1044, J. S. Bach

First Congregational Church of Los Angeles (Shatto) 540 South Commonwealth Avenue  Los Angeles, California 90020

more info: https://www.musicaangelica.org/concerts-tickets/

Sunday, September 24, 2023  5pm

Sonia Lee and LMU faculty: An evening of Baroque music

An evening of Baroque music performed on period instruments by Sonia Lee (harpsichord, guest artist), Marisa De Silva (soprano, LMU faculty), Ken Aiso (baroque violin, LMU faculty) and Shanon Zusman (viola da gamba, LMU faculty).

Program: Tomaso Antonio Vitali, Chaconne in G minor; Henry Purcell, O Let Me Weep; George Frideric Handel, Rejoice Greatly, O Daughter of Zion; Georg Philipp Telemann, Gamba Sonata in A minor;  Bach, Violin Sonata in E minor, BWV 1023; Marin Marais, Sonnerie de Sainte Geneviève du Mont de Paris; Jean-Philippe Rameau, Pièces de clavecin en concerts no. 5

Free Entry

Murphy Recital Hall , Loyola Marymount University,

1955 Ignatian Circle, Loyola Marymount University, Los Angeles, CA 90045, USA

more info and map: https://cal.lmu.edu/event/an_evening_of_baroque_music

Sept. 24. Sunday 3 P.M.,  Pomona

Cornucopia Baroque Ensemble, Baroque sonatas

Cornucopia Baroque Ensemble, an early music ensemble based at Pomona College with Pomona College Music Department faculty* performers, with Aki Yamaguchi, oboe and recorder; Alfred Cramer*, violin; Carolyn Beck*, bassoon; Roger Lebow, cello; Jason Yoshida*, theorbo; and Graydon Beeks*, harpsichord, share a handful of Baroque sonatas by J.S. Bach, Handel, Telemann and others

Pomona College: BRIDGES HALL OF MUSIC  150 4th St, Pomona, CA 91766

more info:  pomona.edu/music-calendar

https://www.pomona.edu/sites/default/files/music-calendar.pdf

https://www.pomona.edu/academics/departments/music/concert-calendar/concert-parking

October 2023

Oct. 22, Sunday 3 P.M., Pomona

Artifex Consort : French Baroque music

early music ensemble Artifex Consort makes their Pomona College debut. This relatively new ensemble presents a program on period instruments. The ensemble is comprised of faculty member Malachai Komanoff Bandy, along with Eva Lymenstull and Eric Tinkerhess on bass violas da gamba, and are joined by Ian Pritchard on harpsichord. French Baroque music by Marin Marais,

from his Pièces de viole, Livre IV

Pomona College: BRIDGES HALL OF MUSIC  150 4th St, Pomona, CA 91766

more info:  pomona.edu/music-calendar

https://www.pomona.edu/sites/default/files/music-calendar.pdf

https://www.pomona.edu/academics/departments/music/concert-calendar/concert-parking

 

Oct. 29, Sunday 3 P.M., Pomona

William Peterson, organ: J.S. Bach and Buxtehude

emeritus faculty organist William Peterson presents an organ program on the Hill Memorial organ in Bridges Hall of Music. The concert centers around the music of J.S. Bach and Buxtehude. The distinctly eclectic Hill Memorial organ was built by C. B. Fisk and dedicated in 2002. It is known as Opus 117.

Pomona College: BRIDGES HALL OF MUSIC  150 4th St, Pomona, CA 91766

more info:  pomona.edu/music-calendar

https://www.pomona.edu/sites/default/files/music-calendar.pdf

https://www.pomona.edu/academics/departments/music/concert-calendar/concert-parking

bottom of page